(open class courses in political and Image Entertainment to think the crisis)
Llach Projection: the permanent revolta Danish Lluís
Roundtable with:
Jaume Roures
( Entrepreneur of communication and film producer. MEDIAPRO President)
Emilio Silva
(Sociologist, journalist and founder of the Association by Recovery of Historical Memory )
Presents:
Pablo Iglesias Turrión
(professor of political science at the UCM )
Wednesday 14 April at 17:00 in the hall (basement) of Faculty of Political Science and Sociology Universidad Complutense de Madrid.
Organization: Network with voice, Red Euro-Latin American Citizens Communication Foundation and Foundation Contaminate CEPS
Support: University Association counter and Promotora Network (teachers)
Roures Jaume Llop (Barcelona, \u200b\u200b1950) is a media entrepreneur and producer, is one of the principal owners of the media group Mediapro, whose publications is the Daily Office and the channel Sixth television. Among the films he has produced include Camino (2008) by Javier Fesser, Vicky Cristina Barcelona (2008), directed by Woody Allen, Salvador (Puig Antich) by Manuel Huerta (2006) Princesas (2005) by Fernando Leon de Aranoa or Commander (2003) of Oliver Stone.El French daily Libération devoted a lengthy article the figure of the manager of Mediapro. François Musseau, journalist of the newspaper "Liberation", recreates the Jaume Roures figure in his work entitled "Citizen Katala" which was published on 22 January in the newspaper in Paris.
Emilio Silva Barrera (Navarra, 1965) is journalist and one of the founders of Association for Recovery of Historical Memory , group that has spent years looking for the places where they were buried victims of repression in the Francoist zone during English Civil War and the subsequent dictadura.Es degree in sociology but has spent most of his professional life to journalism. As a journalist, was director of The Harder They Come contents during the period of March 2000 Sources.Unless Manel, located the Priaranza del Bierzo (León) the place where was the mass grave where his grandfather had been buried, with twelve other men. All of them were members of leftist parties and killed by Republicans in October Falangists 1936. A following the exhumation of pit in which were the now known as the "thirteen Priaranza" founded, along with Santiago Macías, Association for Recovery of Historical Memory , of \u200b\u200bwhich he is president and has spent the search for missing Republicans, providing extensive documentation to people who for decades have not heard from their loved ones. Has been published alongside the book Santiago Macías: The Pits Franco dictator Republicans left in the gutters.
Llach: the permanent revolta is a documentary directed by Lluís Danish and produced by Jaume Roures that part of the history of the song "Campanades a morts" the Catalan singer Lluis Llach, made following the assassination in 1976 of 5 workers by the police. The documentary tells how in the March 3, 1976, an assembly of workers in Vitoria-Gasteiz was broken up brutally by police causing five deaths and over a hundred wounded by gunfire, Llach then wrote one of his most iconic songs, " Campanades a morts. " Thirty years later (March 2006), Llach returns to Vitoria-Gasteiz to interpret it in remembrance of the victims. Click to view the trailer trailer
BOTERO A DROP OF WATER, COFFEE AND COLOR OF NEW YORK TO SANTO DOMINGO
By Gilda Matos
exhibition opens today artist Octavio Paniagua in the Temporary Exhibition Hall of the APEC Cultural Center, with which it consolidates its constant evolution in the art of watercolor to communicate with images perceptions surrounding world and its characters.
Experimentation and inventive part of the process of creating these works, the author incorporates the new coffee as a natural binder of his watercolors, which gets a sepia palette transparency and spontaneity that refers to old paint. Coffee is a bean that is part of the Dominican and Caribbean Culture, aroma, color attracts memories of good times and personal social networking.
In this exhibition, through brown discoloration, Octavio Paniagua establishes a bridge link between Santo Domingo and New York which gives the works presented multicultural characteristics with hybridity in the formal and thematic content that crosses borders and seas.
It presents an overview and Dominican World Yorkers and their circumstances at a glance.
painter of reality as a benchmark, but goes beyond visual reality itself, we expressed a distressed look in front of environments and situations described. In many images reveal a somewhat pessimistic view of both cities, as well as a psychological force expressed in the brush strokes and elongation of the figures.
Call attention to the allegorical form that uses the title of the table Vincent Van Gogh in watercolor "Starry Night", with it, confirms its tendency to figurative expressionist in some tables e n a way to express the horror, conflict and violence in their perception of the starry night in New York , will This watercolor of representation on the night of September 11, 2001?
His paintings evoke the two worlds in a single view, scenes and characters emblematic of every culture to express in water and coffee, the emotions of the painter, rather than realities.
