Saturday, December 13, 2008

Private School Jewel Vid

" exemplary transition?

Source: http://blogs.publico.es/dominiopublico/category/ Paul, Churches /


Carolina Bescansa, Iñigo Errejon,

PABLO IGLESIAS, ARIEL JEREZ,

JUAN CARLOS

PURSE AND PABLO SANCHEZ LEON

transicion-ejemplar-ok.jpg











another year, the accounts of the Transition to occupy the institutional circuits of cultural diffusion is articulated on an axis as elitist and self-referential and contradictory, on a string of contradictions that only base of tiresome repetition and convenient silences has finally become worthy of credit in speech and creed.
So insistent and monotonous, the official rapporteurs Transition enthusiasm aged weave a seamless story, in which a English village, brave and wise in equal parts, becomes emancipated star of his destiny through the delivery of political will to moderate and centrist-to the great drivers of a transition that, for peaceful, its capacity for reconciliation and modernization, was so exemplary as to pretend to be emulated in the world, first by the Sisters of Latin America and the Eastern Europe later.
few days ago were held in the Faculty of Political Science and Sociology at the Universidad Complutense few days of reflection on the English transition under the same title that heads this article. Many people, from different perspectives and experiences, shared their experiences and reflections on the dictatorship and the transition of the ideas here are debtors. It should begin by highlighting a common place in all discussions: the understanding that, at some point in that process, they stole the story, stayed with her and left us all deprived of the necessary tools to understand our identity and democratic disputes. The alleged virtues
Transition represent an unquestioned element of the social sciences developed in our country, especially in political science and historiography. However, there remains the challenge of thinking critically uncomfortable many dimensions of our social and political, linked to these settlement agreements that gave up demolishing the bulk of the Franco heritage. For space reasons, we do not address institutional matters here more or less traveled recently in the public and certainly central to the conservative straitjacket designed in Transition (electoral system, monarchy, national issues, closure of the right to truth, reparation and justice), to address other key issues in maintaining their social hegemony.
To date, a quick look at the situation of public education in Spain reveals a string of anomalies difficult to understand democracy. A third of children and youth in Spain studying in private schools or arranged. 70% of these schools are Catholic. In 2003, the concerted or private Catholic schools received state funding of about EUR 2,700 million, excluding the budget to fund the teaching of the subject of religion in public schools. Can you understand this reality without reference to the Concordat, without analyzing who signed those agreements and who have sustained? Do we know that public funds transferred to this religious institution is approximately equivalent to those required to implement the public kindergarten? What happened to the Catholic Church when Franco died? Where, for example, left the chain Cope?
social spending in Spain has now reached 19% of GDP. Located 10 points below the European average and 20 points behind Sweden. In this field Professor Vicente Navarro explains how transparency wrenching social class now weighs the average life expectancy: the five layers that separate the high financial bourgeoisie and unskilled workers have experienced unemployment, ten years apart. How can this be happening in a country that has been governed by a center-left course for 18 of the last 26 years? Why, for example, oral health is not included in Social Security? Is it possible to explain this social deficit without denouncing the role played by unions hegemonic? When and how did some major unions and others not? What was signed in the Moncloa Pacts?
The absence of government intervention deepening of the democracy in the field of industry cultural media and color cathode lit our leap of premodern postmodernism. They are still continually evaluate and drills in many cultural arenas (universities, research, cultural policies, media empires ....) The display of cultural modernization in the move served multiple purposes of disorientation and legitimacy, but the party had dire consequences: in addition to the lost generation of heroin in the eighties, today we are the country in the world with the highest rate of consumption cocaine and other leading positions in consumer and addiction. When did this start? Are we aware how to weight in our culture civic life of the show dressed to party? How do our institutions work to achieve critical culture that requires the democratic life?
As time passes, they accumulate the unanswered questions about our ever-present history. We can continue as before: we write the questions in a notebook, we keep in the bottom drawer and return to call the pilots of the Transition to tell us the story of democratic landing. Or we can take another step forward, to subvert the orders of our history and his speeches and begin to understand where we are and how we got here. Are opening roads: inundémoslos with old and new stories and deal once fighting performances.

Carolina Bescansa, Errejón Inigo, Pablo Iglesias, Ariel Jerez, Juan Carlos Monedero and Pablo Sánchez León are professors-researchers of the Faculty of Political Science and Sociology (UCM)

Mikel Illustration

Jaso

Thursday, November 20, 2008

My Dog's Has A Wound Will His Hair Grow Back?

Days: Transition copy?: From the Constitution to the recovery of historical memory

When the thirtieth anniversary of the adoption of the 1978 Constitution, a rule that governs our present order at the institutional, legal and land, some of the results of so-called consensus-political attitude that prevailed in the transition from dictatorship to representative democracy-are beginning to be questioned publicly, opening a debate on the politics of memory that have been promoted since then.

A new generation of English begins to question critically about the supposed elite exemplary of arrangements that were successful although the adequacy of a semi-peripheral economy to Western geopolitical environment and get a definite extension of civil and political liberties not put a stop to most predatory dynamics of capitalist socioeconomic consolidated under Franco. Closely related to this question is the official silence of our troubled and uncomfortable past that raise the threat of fratricidal demons that lead us back to the confrontation and radicalization policies, we are forced to forget the struggles that drove the change during the Second Republic, anti-fascist resistance during the Civil War and Franco's long underground opposition, stealing the narrative and the gene citizens of our democracy, a democracy that ultimately could well be presented as provided by the good knowledge of our elites.

is obvious that the above entails serious consequences for the knowledge of our history recent upsurge from the perspective of counter-hegemonic potential and capabilities of the progressive and leftist forces. In the past, this lack of public debate on the process of change led to the non-recognition of all those who through their struggle made it possible, in fact, the advent of democracy. At present, a new politico-media coalition bid to keep intact the myth of the model transition at a time when the grandchildren's generation of Republicans call the "truth, reparation and justice" that our judicial system promotes foreign . As can be seen daily at newsstands, bookstores and screens, a proactive strategy seeks to stir old ghosts, while causing a kind of saturation of memory "to the inability of government to anchor a discussion of the unreserved condemnation of the Franco regime, and the recognition and restitution for victims of repressive violence, appear as indispensable but paradoxically democratic issues still pending, unlike in other companies with more engaged political situations than ours today.

In order to enrich the debate and deepen knowledge and understanding of our historical present, this conference raises a reflection and review of the foundations that underpin our own shared identities, without which there can be addressed and build a more just socio-political project and liberating. If we advocate that democratic citizenship involves the right to have rights, we give up thinking you can stop fighting for them.

Organizers:

- Association Recovery of Historical Memory

- counter. Student Association.

Collaborators:

- Faculty of Political Science and Sociology (UCM)

- Center Social and Political Studies (CEPS)

- Diagonal Journal

- Wanderer

University

- Student Assembly. CCPP and Sociology Faculty of Programming

Days

Monday December 1

11.30 hs.

Projection: "Not you be left alone. "

is the first part of 2 documentaries under the joint title, after .., dedicated to showing the positioning of the various sectors of English society in the process of transition, until the military coup of February 1981.

Address: Cecilia Bartolomé, José Juan Bartolomé Year: 1981-1983

13.00 hs.

Roundtable: "The Pacts of the transition and the Constitution"

- Galcerán Montserrat. Professor of Philosophy (UCM) and member of the U. Wanderer.

- Enrique Curiel. Political Science Professor (UCM)

Pisarello - Gerardo. Professor of Constitutional Law (UB)

- Errejón Iñigo. Researcher in Political Science Department III (UCM) and member of counter

Moderator: Jaime Ferri. Assistant Dean of Students. CCPP and Sociology Faculty (UCM)

Rapporteur: Raul Aguilera. Professor of Political Science (UCM)

Tuesday 2 December

11.30 hs.

Screening: "The revolta permanent"

This documentary, through commitment sentimental, political and artistic singer Lluis Llach, gives an account of Franco's repressive strategies and strengths of the social and ideological forces that drove own transition. The slaughter of Vitoria March 1976 was a turning point in this dynamic, which calls for a democratic review.

Address: LLuis Danish. Year: 2006

13.00 hs.

Roundtable: Mobilizing opposition and repression under Franco

- Ana Domínguez Rama. Researcher at the Department of Contemporary History (UCM).

- Ramón Adell. Professor of Sociology (UNED)

- Txasko Andoni. Association of Victims of March 3.

- Santiago Díaz de Espada. Association of Victims of March 3.

Moderator: Pablo Iglesias. Professor of Political Science (UCM) and member of the U. Nomad and CEPS.

Rapporteur: Gustavo Fernandez. Student Assembly. Faculty of Political Science and Sociology.

15.30 hs.

Projection: "Rocio".

This documentary censored and banned to this day we reflect on the economic, class and power that underlie rociera devotion. Historical document that sets out a brief but concise description of the penetration and development of Catholicism in Spain, reason and logic of Marian faith.

Address: Fernando Ruiz Vergara Year: 1980

17.00 hs.

Roundtable: "Inertia and cultural transitions of Franco"

- Carlos Fernández Liria. Professor of Philosophy (UCM)

- Moncho Alpuente. Peridiosta and writer

- Jesus Andres. Professor of Political Science (UNED)

Moderator: Pablo Sánchez León. Professor of History (UCM)

Wednesday, December 3

09.30 pm

Projection: "Santa Cruz, for example,"

How does it affect the exhumation of killed in the War Civil coexistence of a people? What happens when people start talking after 70 years of enforced silence? How does the side that won so many years of fear and repression? These are some questions that this documentary tries to answer.

Address: Günter Schawaiger, Austria, Spain, 2006

10.45hs

Roundtable. Memory, Justice and Human Rights

- Paco Etxeberria. Chairman, Department of Anthropology at the Aranzadi Society and Professor of Forensic Medicine (UPV), member expert committee that advises the cause in the Court.

- Carlos Agüero. Association for the Recovery of Memory (ARMH), one of the entities in the cause for the investigation of genocide of the Audiencia Nacional.

- Fernando Magan. Advocate of the entities in the case of genocide of the Audiencia Nacional.

- Javier Chinchón. Professor of International Law and International Relations. AEDIDH member, partner association with the Platform for Victims of Enforced Disappearance of Franco

Moderator: Ariel Jerez . Professor of Political Science (UCM) and collaborator of the Association for the Recovery of Historical Memory (ARMH).

13.00hs

Conference: "The economic consensus of the transition and the quality of democracy"

- Vicenç Navarro. Professor of Political Science at the University Pompeu Fabra Public policy professor at Johns Hopkins University (Baltimore, USA).

Commentators:

- Juan Carlos Monedero. Professor Political Science (UCM)

- Gerard Esposito. Libertarian Students Federation (UCM)

Moderator: Carolina Bescansa. Political Science Professor (UCM) and member of CEPS.

More information: University of the Collective Web counter


Tuesday, May 27, 2008

Pirated Kates Playground

::: PROGRAMMING 1 ª FERIA CORDOBESAS PERFORMING ARTS WORKSHOPS FOR CHILDREN


WORKS ON ALL INFORMATION, SCHEDULED FOR GROUPS AND SPACES LA 1 CORDOBESAS ARTS FAIR FOR CHILDREN. CLICK HERE

Friday, May 16, 2008

Wooden Bridge Clip Art

: Registration Open. Space is limited


Workshop "Game, Action and Disinhibition"
Dictated by Mr. Felix and Mr. José Luis Fernando Villegas



Day : Wednesday, June 11
Time: 10:00 13.30.
Place: Sala Cepia. BA in Theatre. Faculty of Philosophy and Humanities (UNC).
Medina Allende Avenue S / N.
Audience: Students special subjects such as music, theater, physical education, fine arts, teaching grade and special classes, group coordinators, quotas, cultural promoters, recreólogos.

Workshop "Game, Action and Disinhibition"
will develop the following themes: Culture Recreation; Incoming Executive Activities and Activities, Classification of games (other games, socialization, games rounds, massive multiplayer games), Recreation techniques (role and function of the moderator), action - reflection - performance, experiential activities.

Felix and Mr. José Luis Villegas Lic.Fernando (Cba.)
Graduates in Physical Education, specializing in animation and Recreología Events. Representatives of the company "Play Time" (Time of Game). Trainers of trainers in the Carrera de Turismo Blas Pascal University and school teachers Physics of the city of San Francisco .


Workshop "Theatre Games" in early education and EGB
Dictated by Mr. Fabrizio Origlio

With presentation of his book "Theatre Games." Editorial Hi Guys!

Day: Thursday, 12 June
Time: To attend the morning, 09.30 to 11.30.
Time: to attend afternoon, 14:00 to 16.00.
Held Cepia room. BA in Theatre. Faculty of Philosophy and Humanities (UNC), Av
Medina Allende S / N

Audience: Teachers Initial and 1 st Level GBS

theater games workshop Initial Level and EGB
The workshop will address the possibility of bringing children to the theatrical event from the school, will offer games and sequences possible to start the little ones on issues such as armed personajes.Se scripts and try to build articulate Music and Corporal Expression of Integrated Arts Education
Mr. Fabricio
Origlio. (Buenos Aires)
Bachelor of Science in Education. Degree in Educational Diversity (University of Alcalá).
National Conservatory of Music graduate. Address Theatre with Augusto Fernandez and Juan Carlos Gene. Taught courses and Theatre Arts Education in Peru, Mexico and Venezuela.Acaba published the book "Theatre Games Workshop" with Ana María Cores.

Workshop "The path of the parties" Interdisciplinarity, a possible approach.
Conducted by Jorge "Polo"
Holovatuck
Day: Friday, 13 June
Time: 10.00 to 13.00.
Held Cepia room. BA in Theatre. Faculty of Philosophy and Humanities (UNC), Av Medina Allende S / N

Audience: Students and teachers theater, music, art, teachers of special classes and actors.
offer practical

"The path of the parties" Interdisciplinarity, a possible approach.
Workshop: integration of areas interdisciplinary way to the theater as agglutinating languages \u200b\u200bare a number of elements to implement in days or where, through sensitization can go through different languages \u200b\u200bto reach the resolution stage

Jorge "Polo" Holovatuck . (Buenos Aires)
drama teacher, actor, director, educator, specialist approach in Interdisciplinarity in the School.

Workshop "Body Care"
Taught by choreographer
Mecha Fernández

Day: Friday
June 13 Time: 14:00 to 17:00 Hs
Location: Room Cepia. BA in Theatre. Faculty of Philosophy and Humanities (UNC) Av Medina Allende S / N.

Audience: students, dancers, choreographers and actors.


Method Body Care Workshop designed, developed and implemented by Mecha Fernández

The method is based on two pillars:
On the one hand, no voltage physical, mental and emotional strife and other general and holistic psycho-physical body. Understanding
as "Warning" non-stress and also the concentration at work.
This is achieved through the work and development of specific body techniques.
live each day with curiosity and the lightness of our Inner Child.
The objective is to generate a personal exchange on and off the stage. Mecha

Fernandez (Buenos Aires)
Choreographer - Director, currently serves on the IUNA (National Institute of Arts) as an Adjunct Professor in the Department of Musical Composition in the subject Choreographic 3 rd and 4 th year. Schools In
Julio Bocca, La Galera and Sebastian Academy Mellino. It is part of the team of "La Galera Encantada" directed by Héctor Presa, since 1994.
He served as coach in reallity TV show "Operacion Triunfo" 1, 2 and 3. It also makes choreography for different programs Telefe.

::: MORE INFO:::

Cost Workshop:
Workshop: $ 40
Two workshops: $ 70
Students: $ 30 with book

certificates of attendance are given (without teaching score)

workshops Registration:
MARIA CHESTNUT
Cultural Center:
Lima 373, Córdoba. Argentina
Te / fax: 4235529
From 09.00 to 17.00 hs.

For information:

Te: 0351 to 155588068

E-mail: @ gmail.com
organización.tateti

Wednesday, May 7, 2008

How To Get Rid Of Poofy Hair

The value for the Performing Arts in the formation of Children


Author: Ms. Maria Teresa Laconi (*)

theatrical activity has survived through the centuries. Roberto Arlt, stated that the future will be ours, but working arrogance. We have advanced much more work must continue, to continue finding springs to articulate the pedagogical and artistic.

"The theater offers clever shortcuts for development of aesthetic expression , encourages the acquisition of skills and communication skills, creativity and socialization that lead to freedom.
-favors
development thinking beings, to work with attention, concentration and reflection, the formation of the characters. Help

-metabolizing emotions to take over the fears, insecurities and anxieties. When the child discovers for himself what he feels and find words to their emotions, acquire greater mastery of his person.

-Open pathways sensitivity, spontaneity, imaginative and fantastic perception , with more worthy and interior solitude bearable. "Light

the desire to play different roles : the bad, the vengeful, the treacherous, the forbidden, hostile, disobedience, giving an output channel to the aggressive drives, from fiction This helps to better withstand the frustrations, the limits of reality, ultimately to socialize their drives.

"Wake up the magic of intuition, originality and the ability of wonder .

- Free block cognitive, affective and cultural .
-Invites
A HOLD A PEDAGOGY to simplify the teaching process, to learn to observe, choose, learn with pleasure, to tolerate not know and take advantage of the error.
-Help
personality integration , playing with their identity and participate in a group experience, the opportunity to learn the art of otherness and bound. -Allows

rediscover the aesthetic in everyday to make the passage from the tragic to the comic, sinister than the marvelous, of the symptoms to the deployment of the talents.

When we get a story, a song, a poem, a character, moves the feelings of the child, the rite of magic has been fulfilled.
When search and adventure, the theater is transforming activity that develops critical awareness and sense of diversity. Hence, it is an almost sacred, where something of the divine spark is present when the curtain rises. Therefore

through theatrical activity can encourage our children to expand their their wings, hop on the train of his dreams and ideals and hang on the stars, because it is still possible the joy of play, love, laugh and be happy.

FOR ALL THIS INVITE TO BE PLAYING WITH OUR CHILDREN DO TEATRO ... ... ... GO?


(*) psychologist specializing in children and adolescents, social worker, music teacher, writer and researcher.

Wednesday, April 23, 2008

My Toe Is Swollen Pedicure

Genesis and foundations. Where we come ...

The theater groups of our province have been generated in the last decade a wealth of productions and events recognized by society as a whole. They have been awarded and recognized by the press that gives constant witness to their business.
The managers of these organizations support the cultural activity of the region in the performing arts concerns, extending its action on other artistic languages \u200b\u200b : music, dance, circus, visual arts , among others.


from these institutions and organizations is being done by the dissemination, promotion, training and production varied artistic expressions of local and / or on the road, thus creating a solid alternative in the cultural fabric of our province. Valga
this introduction to understanding what they have contributed to this phenomenon of development and promotion, those specializing in art work from children. Working


embedded in the school community , forming new audiences, while maintaining production specifically aimed at children , conducting special events and programs , developing social programs. Ultimately providing a comprehensive service to society as a whole social responsibility and solidarity.

This methodology that identifies, participation - coordination and management - production, has been marking a collective course that relates naturally and causes as a correlative of his own actions, recognizing the need for a strategic alliance between the makers and promoters of this specialty for achieve a collective construction site to enable them to account and refer to one and all of the values \u200b\u200band benefits that the performing arts, to provide children.

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Our goals ... Where are we going


- Disseminate and promote the benefits that the arts provide to children:
creativity, expression and communication.
Game and recreation.
Socialization and coexistence. Spirit
critical and divergent thinking.


- Enhance the child viewer understanding childhood as a cultural and historical building with the needs of the moment and the world we are living.

- Promote the social and cultural development of the professional activity developed by makers, institutions and spaces in the field of performing arts aimed specifically at children.

- To promote the specialization and exchange among professionals in the performing arts addressed to the child viewer.


- Actively participate in the design and formulation of public policies aimed at the performing arts theater especially for children.

Tuesday, April 22, 2008

Train Or Bus Groping Movies

1 ª Feria Cordoba performing arts for children

In this we all, all, all ... and you? Join the call!

CALL: Open until May 15, 2008

Ta.Te.Ti - strategic alliance - composed of organizations and makers of the performing arts for children to publicize and promote the benefits that the arts provide to children , is pleased to invite artists groups throughout the province of Cordoba dedicated to child viewers, with shows from:


* Theater * Puppets
* Circus Dance

* * Magic
* Music * Storytelling
to submit their artistic to participate in the:

"1 º FESTIVAL ARTS CORDOBESAS FOR CHILDREN"

This cultural and artistic event will take place between 13th and June 20th, 2008 in different theater spaces outside of the city of Cordoba have argued in recent years of theatrical activity aimed at children:

- The Puppet House, Mary Chestnut Cultural Center, Teatro La Chacarita, the wagon - among others.

::: Bases of the call:::
Participation

groups throughout the province of Córdoba, having shows for children, with one or more works.
Participating groups will be selected by the organizers.
The organizers reserve the right to attend special invitations.
Each group will designate an official responsible for communicating with the organization.
Moving groups, scenery and other technical elements, from the city of origin to the city of Córdoba will be paid by them. The organization shall issue official invitations for groups to manage their tickets.
groups perform functions on schedule and place to be designated by the organizing committee, who will inform the programming once it is consolidated at the end of the call.
Registration will take place in person at the Board Mary Chestnut - Lima 373 - via mail or by mail until the day May 15, 2008.
groups will be notified of the date May 20, 2008. Once selected, the groups must ratify note its presence in the 1 º Feria Cordoba performing arts for children TA-TE-TI.
cachet groups receive equivalent function performed by the outcome of the Fair distributed equally in the total of functions carried out - (Basis point)

::: REGISTRATION FORM:::

1. GROUP:
2. NAME OF THE HEAD OF THE GROUP:
3. Address - Telephone - E-mail and postal
4. GROUP INFORMATION AND / WORK S / S PRESS
5. DIRECTOR:
6. CAST: (Names of all members)
7. NUMBER OF PEOPLE ON TOUR SPECIFYING ROLES:
8. INDICATE HOW MANY DAYS THE GROUP IS WILLING TO STAY AT THE MEETING
9. TECHNICAL REQUIREMENTS AND SCENIC AREA NEEDED (height, width and depth). INSTALLATION AND REMOVAL TIME.
10. REPRESENT THE WORK OPPORTUNITIES OUTDOORS.
11. MAXIMUM NUMBER OF VIEWERS. DURATION OF THE WORK. INDICATE THAT AGE IS ADDRESSED.
12. PERSONALLY OR BY MAIL:
group
Folder Background Background
group / Authorization works Argentores

Registration complete works - video, cd, dvd, -
broadcast material-photos, press, posters, programs labor, etc. - Place

receipt of Folders:
Mary Chestnut, Lima 373 - Centro - Córdoba City-
By e-mail:
organización.tateti @ gmail.com

Clik here to download the information in Word format: REGISTRATION FORM