The course will explore the fundamentals of political theater as a theater work system that produces ideas, images and representations relating to the structures and dynamics of power. Until the twentieth century the theater did not incorporate the elements necessary for the development of a theoretical discourse on the political theater (the antagonistic processes). From "political theater" of Piscator, and parallel to Brecht attempts to establish a non-Aristotelian drama, dialectical and critical, this way of understanding and practicing the theater was enriched by the contributions of Peter Weiss (paper theater) Augusto Boal (Theatre of the Oppressed) and various groups (the theater of agit-prop.) In the course examines the elements of the discourse of both political theater from concept through theoretical and practice. The course includes preparation and staging a political drama (at least fifty percent of the work will be practical work through testing and acting technique)
5 free credits
ALL INFORMATION: http://teatropolitico2010 . blogspot.com /
The classes will be given by Cesar de Vicente Hernando, coordinator of the Documentation Centre Review, associate editor of the journal ADE-Teatro and member of the Konkret. Cesar de Vicente was the teacher of Theatre Studies at the University of Alcalá de Henares and Professor of Aesthetics and Sociology of Art at the Art School the CCOO. He holds a PhD in English Philology Autonomous University of Madrid (2004) degree in Philosophy from the same university. Participated in the founding of the Drama Group Alcores / Alcores Production Unit in Madrid (1990-1991) and Erwin Piscator Theatre in Madrid (1990-1991). His credits as director include Teresa scene Leopoldo Alas "Clarín" (1986), Misunderstanding by Albert Camus (1987) The secret of Ramón J. Sender (1989), Song of the Lusitanian puppet of Peter Weiss (1992), part teaching of Baden on the agreement of Bertolt Brecht (1997), We, children of Anders Günther Eichmann (2005), The Cradle Will Rock / The power wobble of Marc Blitzstein (2005) o invaders Egon Wolf (2008). He has authored numerous articles on theater in magazines such as Anthropos (Barcelona) lyrics Peninsular (USA), Chimera (Barcelona), Alcores (Madrid), Riff-Raff (Zaragoza), Ade-Teatro (Madrid) and editor, among other works, of Erwin Piscator Political theater, Hondarribia, Hiru, 2001 and intervention VVAA Theatre, Hondarribia, Hiru, 2006.
academic coordination of the course will take place Turrión Pablo Iglesias, a professor of political science at the Universidad Complutense de Madrid, where he teaches political geography and political cinema. After graduating in Law (2001) and Political Science (2004, winner Extraordinary) doctorate with a thesis on global social movements (2008). He has also done graduate courses in the humanities at the University Carlos III of Madrid, specializing in cultural studies and philosophy of the media at the European Graduate School (Switzerland).
COURSE OBJECTIVES
know the main lines of theatrical work that have laid the foundations of political theater. Know and understand the different elements of the discourse of political theater. Being able to recognize, appreciate and critique the aesthetic and ideological expressions that make up the political theater.
COURSE PROGRAM
1. Political Theater Background
2. The Theatre of Propaganda and Agitation
3.
political theater as a concept
4. The issue of political theater. The constitutional process
theater
5. The breakdown of political theater: the theater criticism constituted
6. The theater refuncionalización
7. The aesthetic work in Political Theater:
* a) The dramatic writing
* b) The interpretation
* c) The staging
8. Policy-oriented theaters
9. Attempts on a theater antagonist
10. Program teaching to develop a
Political Theater
11. Theatre as a laboratory of social imagination
12. Analysis of the puppet Canto Lusita
year of Peter Weiss
13. Analysis of the educational part of Baden on the agreement of Bertolt Brecht
14. Staging of a play
Political
BASIC BIBLIOGRAPHY
Augusto Boal .- Game for actors and not actors, Barcelona, \u200b\u200bAlba, 2002
_____________ .- The rainbow of desire, Barcelona, \u200b\u200bAlba, 2004
_____________
.- The teatrodel oppressed, Barcelona, \u200b\u200bAlba, 2004 Bertolt Brecht .-
Writings theater Buenos Aires, Nueva Visión, 1970, 3 vv. Federico
Irazábal .- The policy shift, Buenos Aires, Biblos, 2004
Ernesto Laclau and Chantal Mouffe Hegemony and Socialist Strategy .-, Buenos Aires, Siglo XXI
, 2006
_____________ .- On Populist Reason, Buenos Aires , FCE, 2005
.- MÜLLER Heiner Theatre
chosen, Madrid, First Act, 2002
______________ Germania Death in Berlin .-, Hondarribia, Hiru, 1996
Erwin Piscator .- The political theater, Hondarribia, Hiru, 2001
POSADA Francisco
.- Lukacs, Brecht and the current situation of socialist realism.
Buenos Aires, Galerna, 1969. Peter WEISS
.- "The theater Document" on political writings, Barcelona, \u200b\u200bLumen, 1976 -----------------------------
-------------------------------------------------- - Collaborate
: AU counter, The Advocate Network (teachers) and Konkret (a collective of political theater)
Duration: 60 hours
Dates: Tuesdays from 16 February until June 8 from 17 to
20 hours at: Faculty of Political Science and Sociology at the UCM
Places: 30
Registration fee: 120 euros
Term: Up to exhaust the places
To enroll must go to the General Foundation of the UCM C / Donoso Cortés, 65. 5 th floor (Training). 28015 Madrid. Metro: L6, L3 Moncloa L7 Philippines Hours: MF 9 to 14 h. Tel: 913946392 / 913946410 Fax: 913946405 / 913946411. The tuition payment is made by payment in cash or bank transfer to the General Foundation of the UCM in the following account of Caja de Madrid 2038 1735 95 6000402225. Please telephone to confirm the availability of places before making payment.
The documentation to be attached at the time of registration is:
registration application form:
http://www.ucm.es/info/fgu/descargas/formabypr/matricula_cc956000402225_pres.pdf
Copy of bank transfer
copy of the registration
UCM 2009-2010 (UCM students only interested in free credits)
Deliver all the previous documentation or faxed to the General Foundation.
MORE INFORMATION: pabloiglesias@cps.ucm.es and http://teatropolitico2010.blogspot.com/
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