Theatre Free Version
The Trades A metaphor, a setting, an aesthetic
"The Night Just Before the Forests," is one of the texts representative of the theatrical universe of French playwright Bernard- Marie Koltés, written in 1976. Koltes himself directed this piece in 1977 that was later staged with increasing success throughout Europe and later in Latin America as a classic of contemporary drama.
conceived by Koltes's work as a Pre-text is a long monologue, an authentic voice possessed by masks, feelings, landscapes and multiple stories, a startling and stark reflection on loneliness, misunderstanding, the difficulty of achieving effective communication. Also on the exclusion, immigration and its consequences on the individual and society, many issues that can not be more current, although the work has more than thirty years have been written.
The free version of Theatre of The Trades, a bold and radical adaptation of the Pre-dramatic original text, opens doors to a unique creative imagery and dramatic narrative, adventure a terrible encounter with otherness, the uncertainty of the human spirit to be filled, the existential cry of loneliness and excluded known foreign to the tremor seen in the intimate desire of an individual lost stunned for a hug, a fantastic subjective and suggestive stage, acting as a metaphor and a simultaneous three-dimensional experimental poetic and brutal.
Space
limbotica A street is surreal and explosive space and cornered. Two park benches symbolically imposed in action as the desired location, the possible site of the meeting, the hotel room alone for a while, the mournful station where protected from rain and criminals, washing, cafes, bridges, doors, balconies and all mirrors sordid city.
light blue, always blue, symbolic nuances filters sensory states and emotional stages of the characters, sometimes as support dialogic narrative plot and conflict link, others as a technical resource-plastic manipulated by the actors in action.
The Spectators
-viewers determine which captive-accomplice witness a space surrounded by two tiers front, refusing to yield to be prey-object-subject-in a temporary perceptual "promiscuous" because they contemplate facing each other in a fun and agonizing mark mirror.
Pre-text
The Pre-representational nature of the original text would be interpreted by a single actor, this is placed in a simultaneous strategy embodied by three actors, the drama is articulated in textual three voices, which cloudscape or encounter otherness, divided into three separate universes merging emotionally and existentially the same personage, suggesting imprinting a reading exercise that acting and interpretive desdoblaje reveals the paradox of a character in three players, encoding a stark extraquotidian gestural behavior, the cry of their echoes in cloudscape dynamic and bestial, a terrible and baffling encounter and clash of their otherness.
Actors
Delivered to a rigorous process of training, research and creative strategies, players take on the challenge of multiple ways to conceptualize, create and code new bodies that will enable voice acting and communicate an experimental theatrical poetics, where the aesthetic discourse of the fantastic stage sets in a close dialogue and organic and believable.
In staging the three actors appear on articulating the spatiality of actions that will reveal the strange representation of the same character: The Enforcer, each assuming a beloved institution, mutable and uncertain in same voice choked and sick desire for solitude.
The Character
Ramiréz
Me, You and Another, are the characters that trigger and embody any individual in a desperate running lonely street, trapped under the relentless cold rain through the night on his back as a single coat, with indescribable need to find a friend and shout in a single embrace their desire to live, away from the factory, without feeling excluded and foreign .
The Enforcer is an escape character, fragile, fragmented-multiple-fabled-merged-into a dynamic atomized by its inability to be in a living environment where only the desire is longing and hostility throng . Migue
Ramiréz
0 comments:
Post a Comment