BY GILDA MATOS
Promiscuous Theatre hits the audience with the audacity to stage taboo subjects.
PUBLIC
attendees pre-inaugural presentation of the National Theatre Festival on June 6 in Room Monina Solá Narciso Gonzales Cultural Center, the area of \u200b\u200bVilla Juana Santo Domingo were shocked, speechless, speechless against theatrical discourse of cigarettes and Three Parts last lasagna, and Fernando Bonassi Victor Navas, and Inside, Newton Moreno.
The biggest shock was received in the book entitled "Inside" as this is in fun ways the relationship of a gay couple. During the course of the presentation many of those present warned his homophobia when they felt the need to close their eyes to "sin" with an eye to witness scenes of sex between male couples performing daring and erotic play unconventional the context of the theater scene in the country.
Dominican public's reaction is understandable, since it is not used to this kind of shows that hit directly with traditional patterns and moral prejudices that are preached in our society and which do not escape our live theater.
Only on rare occasions our artists have had the courage to present naked male or female, but almost always tinged with light effects, makeup and atmospheres ethereal scenes involving an idealized plasticity that away from everyday life viewers.
The presence of this group in Brazil, as a guest at the National Theatre Festival, constitutes a good opportunity to connect the public with the themes of the contemporary world where the voices of minorities and the uncovering of issues "prohibited" take center stage in the artistic world scenarios in a global sense, as shown by the coincidence of the lesbian kiss and Johansson Bullock MTV Movie Awards in the United States of America, the same day and same time it appeared the play Brazil in Villa Juana.
Caribbean
From our post-modern mentality we witness the "Open-mind": an open mind able to accept new paradigms social, moral, ethical and political, to unlearn what they learned during the decades of our existence. This interesting show, compels us to abandon the "modesty" as individuals who are part of a group, to enjoy without censorship, prejudice or veto, of artistic creation, from the perspective of an audience attending a ritual where they are poetry and harsh reality.
From our post-modern mentality we witness the "Open-mind": an open mind able to accept new paradigms social, moral, ethical and political, to unlearn what they learned during the decades of our existence. This interesting show, compels us to abandon the "modesty" as individuals who are part of a group, to enjoy without censorship, prejudice or veto, of artistic creation, from the perspective of an audience attending a ritual where they are poetry and harsh reality.
WORKS
The works represented in the sample born Contemporary Drama in Brazil, the event where winners were " to be a prototype for a deep boldness and innovation in Sao Paulo scene," says Samuel Hernandez, Portal House of the Americas.
The first piece, Three cigarettes and last lasagne Fernando Bonassi Victor Navas and , is a monologue performed with high organicity by Renato Borghi, and characterized by accuracy, fairness and proper use of resources from the scene. The scenery with minimal resources, helps to delineate the symbolic features of the meaning of the scenes.
actor with great domain develops the psychological complexity is going through the character from the mutilation of his right hand and replaced by another transplant. The dramatic conflict presented in the dilemma body-subject, and the relationship with self and others, coming to harm not only their physical but also their own identity.
element narrative becomes interesting, to unify the narrative of character and graphic narration translated into English and at the same time, his creative use theatrical background, the effect of distance, maximizing the use of technological resources.
The second part of the show formed the part Inside Moreno Newton to the direction of Nilton Bicudo, which was preceded by a warning the public about the content of the work, not suitable for children under 18 years, warning that sought to avoid repeating the unfortunate stampede from the public the day before.
With a current theme, focuses on a form in homosexual relationships, the "fitsfucking" with an aesthetic " porn", as stated Renato Borghi, however, many of these, we see no intension exhibition and pornography, rather, we were witnessing, snooping on the other side of the fourth wall, a scene of utter intimacy between two people in a cold relationship, prostituted and dehumanizing.
Although homosexual themes might seem a bit snobbish in the contemporary world, art is not just a fashion, is an appropriate means to reveal the " essences " of the problems of human nature, including sexuality as a means of alleviating loneliness in search of love.
's performances Nogueira Renato Borghi and Elcio Seixas reveal great professionalism in their careers, total commitment to the scene, out of prejudice, moral dilemmas and confusion between the person, the actor and the character.
is because as the great master J. Grotowski: "... The actor in the play, the show will offer his confession, his naked body and soul, his intellectual self and biological. Show all that culture and you from everyday life show. " In this sense, transforms the theater promiscuous!
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