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By Gilda Matos
TATEHIKO GOTO Santo Domingo brings art education recycling ideas and creativity from materials found in the city. The Japanese artist presents a novel way creative vision of "art object" that intervenes with their hands in order to produce aesthetic works by forking paths of the imagination in the realization of two-and three-dimensional objects, in spite of the apparent naivety of everyday images presented, awakens the senses, surprise and delight.
all started one day in Japan 30 years ago, by chance, observing the clothes pegs on the table in the house. The artist says: "I felt a strange feeling" ... That simple act was a great encouragement to his creative imagination. Thereafter, he began a long career that led him to exhibit their work inside and outside the country, with important exhibitions in New Delhi and the Yokohama Museum of Art, being recognized seventeen times, for the Grand Prize Exhibition .
Today, Santo Domingo is the theme and setting of his creations with objects found in the streets, buildings and costs of our city. His artistic sensibility takes to collect plastic waste, metal, wood, cardboard, paper, dry leaves, turning them into "art object", it brings into play his artistic imagination to find uses towards more healthy and harmonious with the life of our planet earth.
Goto's foray into the trend of art object is different from the inventor of Dada art, Marcel Duchamp with "already done" or "found object" expressed as conceptual art, as aesthetic meanings attributed to the author of ready-made, as the Japanese artist seeks to transform the creative talent through the material object in another figurative element of the intervention emerged from his hands to develop its own distinctive artistic world. However, both are part of the cultivators of the art-object as defined Galindo as the art object is "any work utility or at least potentially functional whose original idea was involved visual artist "
GAME AND TONE
Goto, works the concept of the object from the value of the toy, look at them the playful aspect of handling, and loudness.
TATEHIKO GOTO Santo Domingo brings art education recycling ideas and creativity from materials found in the city. The Japanese artist presents a novel way creative vision of "art object" that intervenes with their hands in order to produce aesthetic works by forking paths of the imagination in the realization of two-and three-dimensional objects, in spite of the apparent naivety of everyday images presented, awakens the senses, surprise and delight.
all started one day in Japan 30 years ago, by chance, observing the clothes pegs on the table in the house. The artist says: "I felt a strange feeling" ... That simple act was a great encouragement to his creative imagination. Thereafter, he began a long career that led him to exhibit their work inside and outside the country, with important exhibitions in New Delhi and the Yokohama Museum of Art, being recognized seventeen times, for the Grand Prize Exhibition .
Today, Santo Domingo is the theme and setting of his creations with objects found in the streets, buildings and costs of our city. His artistic sensibility takes to collect plastic waste, metal, wood, cardboard, paper, dry leaves, turning them into "art object", it brings into play his artistic imagination to find uses towards more healthy and harmonious with the life of our planet earth.
Goto's foray into the trend of art object is different from the inventor of Dada art, Marcel Duchamp with "already done" or "found object" expressed as conceptual art, as aesthetic meanings attributed to the author of ready-made, as the Japanese artist seeks to transform the creative talent through the material object in another figurative element of the intervention emerged from his hands to develop its own distinctive artistic world. However, both are part of the cultivators of the art-object as defined Galindo as the art object is "any work utility or at least potentially functional whose original idea was involved visual artist "
GAME AND TONE
Goto, works the concept of the object from the value of the toy, look at them the playful aspect of handling, and loudness.
This exhibition allows a novel sensory experience, the works not only see but also touch and hear, and at some point in the history of art the man experimented with materials.
The exposure reading is made in two areas: the tendency of visual expression, works and figurative drawings, and the fact of his creations, under the action of wit and industry which involves the recycling of waste contaminants to a more happy on the planet. CARTOONS
His contact with Dominican cultural and ethnic diversity, is reflected in the caricatures of the faces of children, women, men, old men and women who are drawn with grace and tenderness, expressed as a photo-document, where appreciate the similarity of their faces with the cartoons made by the experienced artist.
Aesthetic experience raised by this exhibition becomes a pedagogic experience, it shows us a lesson in the usefulness of art in the adaptation, adaptation and recycling of our waste for a better life.
certainly Goto exposure brings a new vision of urban visual creativity, pedagogy and playful art-object.
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