By Gilda Matos
CHARLYN was the great revelation of the Festival Theatre National Theatre of the Dominican Republic, 2010.
The monologue written, acted and directed by Stalin Rafael Morla is a scathing portrait, Ironically, sour and cruel of human existence in modern times. The piece reveals the essence and philosophical dilemmas of the reality of "Being" of today.
Marx is the hero of the dramatic, the hero is outdated, who rises in revolutionary resistance against a society based on consumption, which overrides and undermines the freedom of choice of Ser
The genius of this theater piece is in dramatic conflict, presents a revolutionary revolt and exiled to the closure of a toilet against the empire of consumerism called "Mafia Propa " from this situation reflects contradictions convincingly on philosophical, psychological and policies today. The author provides a speech nonchalantly risk using the word "stool" with all verbal modes, without ridicule or in bad taste, rather, leads and brings the whole rotten world that we reveals, and almost managed to convince us, that " The world is a huge crystal ball full of excrement."
The visual image and sense of evocative monologue keep a relationship with the iconography of the work The Death of Marat French painter David, held in memory of the death of Jean Paul Marat critical revolutionary, martyr of the French Revolution. In parallel, the stage picture created by Rafael Morla brings to the National Theatre Festival to Marat located in the XXI century, with a critical eye at a time where they have disappeared and utopian ideological struggles to gain strength to the opinion of capitalism until reduced global consumption of Being focused
Morla critical conflicts in the postmodern individual, communicating with words, signs, image and music reveals a speech that became the surprise of the National Festival of 20010.
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