"Sublime decision" to mark the International Day of Women
On the occasion of the celebration of International Women's Day , next Wednesday March 30, 2011 can enjoy the representation of the work of Miguel Mihura , Sublime decision, by the theater group TANIT , the Office of Women, under the direction of Lola Martínez Martínez.
and we should enjoy this work in two passes, one at 18:00 and another at 21:30 pm , both in the Nuevo Teatro Circo Cartagena . The
entries are free and can be collected in the Department of Women and the last day at the box office.
Eager to make us laugh and enjoy this comedy of manners and tangles, the group wanted Tanit in adaptation, highlighting the struggle of women in those early years of the twentieth century to find a job and break into an apathetic conformist society closed to all types of renovation.
the Department of Education AGENDA TEN SCHOOL PLAYS FOR JANUARY TO MAY 2011
The Department of Education , the auspices of the Foundation Cajamar starts the second quarter of the school year 2010/2011 with a varied and attractive program for school theater. Will be represented at the Cultural Center Luzzy Ramón Alonso from 20 January to 27 May 2011, sessions 10 and 12 hours ten works that combine theater actor and puppet theater, teaching English, on subjects as varied as gender equality, bullying, healthy eating or revision of classic tales.
Each work, depending on the chosen theme and genre, have different audiences ranging from kindergarten students to the students and teachers in secondary education and Bachillerato.
asist Teachers interested in their representations students can book for assistance in the Education Department by calling 968 128830 in the morning. You can also make the reservation from the website of the Campaign School Theatre Cajamar Foundation: http://www.educateatro.es/reserva.php
Missy and Dissy, using a magic wand that have "caught borrowed" the circus where they work, trying to create a story based on traditional tales. The trick will go wrong and begin to appear the typical characters of the stories on stage, but with changed personalities.
Days 27 and 28 January. Work: Around the world in 80 days.
England. 2nd October 1872 at the Reform Club in London. Mr. Phileas Fogg bets with friends, with whom you frequently play whist, it is possible to go around the world in eighty days. To demonstrate, on a journey with his new French valet, Jean Passepartout, a peculiar character who has previously worked as a singer in a circus, street vendor and fire sergeant, and who now seek tranquility. But the new plans Phileas Fogg alter the supposed tranquility Passepartout looking for. The trip starts in London and continues for Suez, Bombay, Calcutta, Hong Kong, San Francisco, New York ... and a host of countries in which they live exciting adventures and meet all kinds of characters. Travel by rail, ballooning, walking, carriage, boat, sled and even on the back of an elephant. Aouda In India they rescue a beautiful young man to be burned and joins them in this perilous adventure. Along the way find a thousand and one obstacles that will be overcome and will endanger the success of your bet. After countless situations and problems, they come to London, but all Evidence suggests that the bet has been lost since Phileas Fogg was due to arrive on 20 December 1872, and according to their calculations have arrived a day later. Will Phileas Fogg lost the bet? That we can only find in the theater, sharing this exciting story in which the risk and excitement blend perfectly with the mood.
This February 25 to mark the World Day of Commedia dell'Arte , the association of puts The Comediartes tables on "Women of little faith " , play based on historical canovaccio extracted from Il teatro delle Favole Representative Flammini of Scala. The action takes place in the Italian city of Mantua, where they live with her son Dottore Graziano Oratio, and pants with his daughter Flaminia. One morning the Dottore received the wonderful news that her son will marry Oratio Isabella (daughter of his friend Cassandro of Bologna). However, a few strangers come to town and will test our faith in love ....
ENTRY: FREE DAY AND TIME: Friday 25 February at 20:30. The duration of the show is one hour. PLACE: Local neighborhood social de la Concepción, 1 orchard rise Street, (Cartagena).
After the second weekend of Comedy Contest XIII de La Palma, we to inform you that the next weekend (25 to 27 February 2011) we can enjoy the last show we have in the program. This is the premiere of the musical The miserable life, based on the novel Les Miserables by Victor Hugo, by the group Theatre Now, under the direction of Antonio Gonzálvez.
The performance will take place at the Civic Center in La Palma, and we see - Friday 25 at 22:00
The theater company La Murga celebrates its 29 th anniversary and, as carried on since they met 25, this year they want to celebrate in style with friends, school students, lovers the scene, ...
The celebration will take place next March 12 at 21:00 pm in the Porto Novo Restaurant (Cartagena), where you can enjoy a special evening, funny and touching.
Book your invitation by calling 609 654 236 Lamurgateatro@teatrolamurga.com or
Comedy Contest La Palma this year 2011, we went to announce the upcoming shows you can see at the Civic Center.
The Saturday, February 19 second group will perform on classified , Lapsus Theatre of Palencia, the representation of Ay ... my black! , written and directed by Santio Concha.
Sunday 20 The Time is for Sorcery Theatre, Gijon, with the work At 6 in the corner of boulevard , of Jardiel Poncela and directed by Gemma de Luis.
Both performances will take place at 20:00 pm Civic Center of La Palma.
Theatre groups from all over Spain, a child and a musical piece inspired by Les Miserables, make up the program from Saturday 12 to Sunday 27 February at the Civic Center The thirteenth edition of Traditional Comedy Contest La Palma presents this year with a schedule full of great theater for all lovers of the Cartagena art come to the Civic Center this deputation cartagenera every weekend between Saturday 12 and Sunday, February 27 .
Thirteen years have been enjoying the inhabitants of La Palma in the Comedy Competition at national and international level in the Civic Center in this town because of our theatrical tradition, for this reason along with the opening of the event honors a person is in years past helped to maintain this custom in the town that dates back to the eighteenth century.
In our thirteenth edition of the event have participated twenty companies spread throughout Spain such as Madrid, Toledo, Gijón, Murcia, Valencia, Seville, Palencia and Alicante. The three groups
winners in this contest have been MALAJE ONLY of Seville with the performance of the play When you eat here? of José Antonio Aguilar, LAPSUS-TEATRO Palencia with the performance of the play Oh will my black! Santiago Concha Gijon KONJURO THEATRE the performance of the play At six in the corner of Boulevard Jardiel of Ponce.
The opening of the event starts on Saturday 12 February at 19.00 hours with the presentation of This, together with the tribute to veteran actress Ana Martínez Palma (star of Annie) as free entrance until full capacity. At 20:00 hours representation of the work to competition When you eat here? INCLUDED IN BOND. Outside
contest will represent the children's musical comedy An afternoon at the circus by the theater company Seven Comedians Murcia on Sunday, February 13 at 12.30 hours . The entrance is not included in the bond and the price is 4 euros.
Days 19 and 20 February works are represented in competition "Oh my black! and At six in the corner of Boulevard respectively at 20:00 hours . WORKS BOTH INCLUDED IN BOND.
The works in competition will be represented at public and jury. The jury be composed of members of the School of Dramatic Art Murcia, Murcia Conservatory of Dance and Theatre Now Cultural Association of La Palma.
Stresses the premiere of the musical work The Miserable Life, based novel Les Miserables by Victor Hugo in Antonio Gonzálvez direction, by the Associazione Culturale Teatro Now La Palma on February 25 at 22'00 hours . The revival of this musical will be 26 and 27 at 20:00 hours.
managers to close the curtain on Comedy Competition, the February 26, will be the Cultural Association Now Theatre de La Palma with the revival of the musical The Miserable Life before closing contest and awards ceremony for the winners (best actor, actress, supporting actor, supporting actress and address), which will be awarded a statuette bronze sculptor of Defruc Mayte Pozo Estrecho. INCLUDED IN BOND.
Remember that there is a payment of 20 euros for the four official representatives (not including child representation) and ticket price per night will be 6 euros . All performances will take place at the Civic Center of La Palma.
Next Saturday, February 12 inauguration will take place XIII of Comedy Contest La Palma, in which there will be a tribute to the actress veteran, Anita, "of The Star." will take place at 19:00 pm in the Civic Center .
The event will be held from 12 to 27 November.
This weekend we will see: Saturday 12 - When you eat here? , Jose Antonio Aguilar, the only group Malaje , Seville, under the direction Juan Carlos Sánchez. At 20:00 h . First group finalist. Sunday 13 - circus one afternoon, for the theater company Comedians Seven of Murcia. Diego Coronado address. At 12:30 h.
We got to February and the rumors are increasing: "This year we have Mucho Mas Mayo ." After the success and achievements that this festival has brought to our city, we find the "replay" already lost the "Theater of the Sea " because the managers were able to turn your find a more economical to do this, because we must not forget how it came out this project in its first year. Now it's up to M + M, we want to leave without our art, without our creativity without the opportunity to exhibit our work in our city, and with this feeling because it has created a platform for discussion cancellation of the Festival of Cartagena Muchomásmayo "called relentlessly. It has a page on facebook where everyone can contribute their grain of sand from this blog want to thank the initiative and support them in everything in our power.
is now open registration period for two specialized courses for professionals in the audiovisual sector to begin in March program T-La (Alternative Leisure) has opened registration period for a new edition of their winter courses will be directed towards audiovisual sector and will start in the month of March.
improvement courses are designed to audiovisual professionals who wish to deepen or update their knowledge on the subject. The Youth Resource Centre Cartagena City Council collaborates with producer DNA cartagenera Visual, the Agency for the Development of Creative Industries (ADICREA) and the Centro Parraga of Murcia, in organizing these activities.
Course The new business models and production Transmedia will start on Sunday March 6 and will run for nine hours, which aims to reach audiovisual technicians key concepts on the current technology as Transmedia. The cross-language narrative film or creative side, will be among the topics that will deepen. Roberto Ponieman specialist degree in international marketing and creative side, psychology of communication and production audiovisual, will be responsible for delivering the content.
A week later, on March 12 begin on Course on public financial assistance in the field of European and English cinema the Youth Resource Center of Cartagena that will last for 6 hours. Will be led by Maria Parron, audiovisual rights lawyer, who will meet professionals from the audiovisual and film, the type of aid and subsidies that are accessible and their main characteristics and requirements for the beneficiary status.
wide range of educational training offer in this program also includes courses designed to not only expertise, but also aimed at young people who want to start in any area of \u200b\u200bbroadcasting. The production of short workshops or ciberseries have had great expectation among the public novel.
Also, courses like the casting for actors or lighting for digital cinema, also welcomed a large number of skilled workers on the audiovisual sector coming from different parts of Spain.
You may find all information about the call and registration the Youth Resource Center on Paseo de Alfonso XIII, 968128867 phone and web www.cartagena.es / youth .
From Municipal School of Theatre, comes this invitation to share with you all:
Dear friends. We invite you to participate with us in this wonderful commitment of the Municipal School of Theatre in our city, for the first time at the Teatro Circo and of course to work with the symbolic price of six euros, to help children and women of Guatemala suffering, each day, the need to seek their basic needs. Tickets can be picked up at the ticket office, morning and evening, the Circus Theatre and we can assure you that if you buy retrasaís a while, I can give and the "house" so take this message and please distribute to your and interested friends for the cause. thanks for your help.
two passes were made function, the next Saturday February 19 at 18.00 and 21.30 hours at Nuevo Teatro Circo .
My conclusions on various issues of anthropology and my views on important issues from an anthropological point of view and great artistic significance are relevant to the formation of a historian and art critic:
art and anthropology are closely related. Art is a human expression of a sensitive nature, social and fundamental part of culture. Anthropology is the study of man (and woman) in the biological and culture, in this sense takes as its object of study of artistic expression, to define the style of life characteristics of man's and woman for a time or historical period. In the study of anthropology of art form is a fundamental element to characterize the artistic expressions of culture.
The main purpose to investigate an object related to human action are: The Objectivity, which is not mere abstract belief, but is in a perspective beyond the values \u200b\u200bof society or group to which he belongs the researcher. Physical experience is privileged. Wholeness, trying to find a form common to the various manifestations of social life. Significance is the most important of all, they are the meaning of personal relationships and links between individuals make real significant sets, and the interpretation or meaning of the observer. Criterion of Authenticity , contribution of anthropology to the vision of contemporary societies, which in many cases are genuine, often, not privileged relationships through contact lived in these cultures, while primitive societies are totally authentic.
The relationship and distinction of Anthropology and Sociology , I could see that the confusion comes because both societies studied, but from a different perspective: Sociology examines from the point of view of the viewer and society. Try to make social science from the observer. While anthropology tends to produce social science from the observed. Click the object to include the observer's society. Includes ethnographic experience. About
sociological indicators in Sociology Aesthetics, is recognizing the aesthetic values \u200b\u200bsociologizing perspective, taking into account both the consumption and distribution, in addition to the aesthetic preferences changing each time. sociology examines the relationship between art and society. The Theater, theater theatrical practice is eminently social, el. Theater allows to establish links between aesthetics, social life and the fabric of collective existence. The aspects to be considered is the functional relationship with the style of the work and social frameworks. Music is a cultural asset that builds and acquires exchange value. The development of sound production is the raw material of musical creation. Has aesthetic value and cultural value to the past and present. Architecture, analysis functions and architectural features of the property, taking into account the meanings taken by the man on the habitability of space. painting, analyzes the work of art, responding to a society and a particular time, look into how each artist's style is particularized as a form of expression.
Primitive Art, is to reconstruct and interpret human action in the aesthetic field of more than twenty centuries, the art of primitive peoples does not refer to nature or convention. Refers to the supernatural. Features include: the stylization, symbolism, representing the body, displacement of the details, the symmetry drawn, among others.
The cultures of Mesoamerica , were the focus of pre-Hispanic civilization civilizations: Olmec, Totonac, Teotihuacan, Zapotec, and Maya made great advances in astronomy, writing and art. The beauty of these cultures is based on a set of religious rituals and myths. Symbolism was one of the main features of the aesthetics of these cultures. Its architecture was monumental and intimately linked with the sculpture. The material was used by all the stone. In his ceramic designs and geometric motifs were not designed for artistic purposes. Here we see that art served as an expression of supernatural.
In short, art and anthropology are closely related can not be separated in the analysis of works of art .. ..
one is about the most anticipated dates for amateur theater groups in the city, and that in anticipation of Easter, we awaited the conclusion of the Theatre Festival " Isidoro Maiquez "organized by the Group Algameca, who presented his tenth and second edition.
So from here we want to encourage everyone to participate with your project.
And as always ... See you at the theater!
XII CONTEST RULES "ISIDORO Maiquez"
1 .- PARTICIPANTS: may open to all amateur theater groups nationwide.
2 .- REGISTRATION: be completed the attached registration form and must submit with this inscription a DVD with the full development of the work and possible technical needs attention: LEO
ANDREU C / AZUCENA, 28 - Barrio de la Concepción CP 30205 - CARTAGENA (MURCIA)
3. - Selection: The Organizing Committee will select 3 works among those presented. The performances will take place in the hall of the Association of Residents of Barrio de la Concepción, from 4 to 10 April 2011. 4 .-
DEADLINE: The admission of proposals will close on March 4, 2011.
5 .- PRIZES: There will be trophies for targeted groups, for best actor, actress, work, direction and best actor and actress.
6 .- aid: All groups participating in the Contest will be provided with aid of 500 euros. If before the date of the event, possible an increase in the amount of aid be provided to participating groups.
7 .- COPYRIGHT If the work to represent copyright accrue, the theater group will be responsible for obtaining permission of the SGAE, leaving the Organization Contest exonerated of any responsibility. 8 .-
STAGING: Staging , such as loading and unloading will be borne by the participating groups. The Organization shall provide the same sound and lighting.
9 .- FINAL CONSIDERATIONS: The Organizing Committee consists of the Cultural Association of Barrio de la Concepción, reserves the right either to amend the contest rules, and to declare void any prize in Section 5. The participation of groups implies acceptance of these rules and the decision jury is final.
10 .- CONTACT: will address any questions or queries by telephone:
LAST TO SEE JESUS \u200b\u200bCHRIST SUPERSTAR TICKETS Education
with live vocals and an elaborate staging, the representation of the Municipal School of Theatre will arrive on February 19 at Teatro Circo and allocate the fund to charity
youth group Teatro Municipal School People's University has announced that are sold the last tickets for the play Jesus Christ Superstar, which represent on Saturday February 19, 2011, at the Teatro Circo. The musical is the final course work from the group with a spectacular decor and the live voice of the young actors. The work has already captured the public's interest these days sold out.
Since last October you can pick up the tickets numbered in their own theater box office and buy tickets. The work will take place in two sessions, at 18.00 hours and 21.30 hours, at a symbolic price of 6 euros.
Just another attraction is the joint purpose of this representation, as the proceeds going to benefit children's education projects and work with women in Guatemala of the NGO Committee on the Cartagena Oscar Romero, who performs volunteer projects in less developed countries.
The main actors who voice the best service are Jesus Christ Superstar as Jesus Alejandro Rodriguez, Dany Moreno as Judas, Sandra Egea as Mary Magdalene, and Pedro Antonio Liarte, Sergio Álvaro Colmeiro as Caiaphas and Annas Perez-grind. They also have the special collaboration of José Albes Pedrero and José Salguero as Herod and Pilate.
Ticket sales do expect a massive public response to this risky artistic proposal presented for the first time the Municipal School in the emblematic Teatro Circo Cartagena.
ten works of theater program for students during the current Looking
representations, which are characterized by their thematic variety and gender, will take place between January and May at the Cultural Center Luzzy Ramón Alonso. The Department of Education, sponsored by the Foundation Cajamar , begins second quarter of 2010/2011 school year with a varied programming theatrical school, to be held between January and May.
Thus, Ramón Alonso Cultural Center will host Luzzy representations which start Jan. 20 and continue through May 27, 2011 in morning sessions at 10.00 and 12.00 , with ten works that combine the actor and puppet theater, teaching drama in English, with subjects ranging from gender equality, bullying, healthy eating or revision of classic tales.
Each work, depending on the chosen theme and genre, have different audiences ranging from kindergarten students to the students and teachers in secondary education and Bachillerato. Teachers
interested in assisting with the representations students can book for assistance in the Education Department by calling 968 128830 in the morning. You can also make the reservation from the website of the Campaign School Theatre Foundation Cajamar: http://www.educateatro.es/reserva.php
PROGRAMMING FOR JANUARY
Days 20 and 21 January . Work : To start and !
Company: Theatre Stard Stardin Type: Actors Topic: Review of classic tales values \u200b\u200b Public: Between 3 and 9 years
Dissy Missy and using a magic wand that have "caught borrowed" the circus where they work, attempt to create a story based on traditional tales. The trick will go wrong and begin to appear the typical characters of the stories on stage, but with changed personalities.
Days 27 and 28 January . Work: Around the world in 80 days.
Company: Forum Theatre & Education Type: Theatre in English Topic: Learning English Public: Between 8 and 11 years
England. 2nd October 1872 at the Reform Club in London. Mr. Phileas Fogg bets with friends, with whom you frequently play whist, it is possible to go around the world in eighty days. To demonstrate, on a journey with his new French valet, Jean Passepartout, a peculiar character who has previously worked as a singer in a circus, street vendor and fire sergeant, and who now seek tranquility. But Phileas Fogg new plans alter the supposed tranquility Passepartout looking for.
The trip starts in London and continues for Suez, Bombay, Calcutta, Hong Kong, San Francisco, New York "and a host of countries in which they live exciting adventures and meet all kinds of characters. Travel by rail, ballooning, walking, carriage, boat, sled and even on the back of an elephant. Aouda In India they rescue a beautiful young man to be burned and joins them in this perilous adventure. On the way
find a thousand and one obstacles will be overcome and will endanger the success of your bet. After a multitude of situations and problems, they come to London, but everything seems to indicate that the bet has been lost since Phileas Fogg was due to arrive on 20 December 1872, and according to their calculations have arrived a day later.
Will Phileas Fogg lost the bet? That we can only find in the theater, sharing this exciting story in which the risk and excitement blend perfectly with the mood.
the casting will begin on Tuesday at the Palace Molina de Cartagena
fonts film producer The Spark of Life , heading Álex de la Church and to be shot partly in Cartagena, Beginning in February, has announced the conclusion of a casting over the next week to select about 1,000 extras and extras . Casting will run from Tuesday, January 18, to Thursday, January 20, in premises has given the effect the city of Cartagena in the Palacio de Molina in the street Jara, hours of 10:00 to 1:00 pm and from 5:30 to 20:00 .
The same sources have indicated that the producer is looking for extras of all ages (children, youth, adults and seniors) sex and origin. What is required is the total availability of applicants to participate in the filming of the movie in Cartagena run for six or seven weeks, from February, which will be entirely at night and at dawn, in days up to 12 hours. Obviously the extras and extras will be paid. Interested
only have to go over the days of casting the Palace Molina and queued , provided a photocopy of the DNI a photograph ID and a photocopy of the card social security, where appropriate.
As published in various media The spark of life , the new film by Álex de la Iglesia, will have a peculiar pair formed by Mexican star Salma Hayek and comedian Jose Mota in a film that in the words of your own director, will be dramatic and in which the English comedian will play a publicist with many problems. Also confirmed the presence of Willy Toledo and Javier Gutiérrez .
scenarios were shot in Madrid and Cartagena. A few dates the film director was in Cartagena looking locations, for what he has told in collaboration with the council, which will also assist during the shoot.
Álex de la Iglesia is now available reprogramming Circus Theater
renowned actors, music, dance and lots of comedy, for the first quarter of 2011 This morning was made programming Nuevo Teatro Circo Cartagena that will bring stakeholders from the likes of Carmen Machi or Josema Yuste and major releases of the Symphony Orchestra The year 2011 brings to Cartagena a wide range of cultural and entertainment. This morning we have presented the programming Nuevo Teatro Circo for the months of January to June , 2011 .
A presentation, in the press room of the Town Hall, have come to the Councillor for Culture, Rosario Montero, head of programming at the theater, Francisco Martín, and communications manager of the Symphony Orchestra, Marta Cano.
Francisco Martin has highlighted the growing popularity of the supply of Nuevo Teatro Circo between citizens of Cartagena. About 20,000 people have attended the various activities organized during 2010 Theatre.
Last cycle of symphonic orchestra attracted about 2,000 people. In the theater cycle crashed 6 times There's the poster for tickets and International Jazz Festival was a resounding success about 7,000 people and 7 groups filled.
OPEN PROGRAMMING CYCLE WITH SYMPHONY ORCHESTRA
Music will be the first ingredient of great cultural cocktail that awaits us for the first months of the new year. The Symphony Orchestra Murcia stars cycle four concerts beginning on January 13 with the masterful baton of Jose Miguel Rodilla. The cycle continues day symphonic February 17 in the presence of young and prestigious pianist Daniel del Pino.
The music program has everything from the Viennese music greats, as the work of Haydn March 24, to young talents, such as violinist Miguel Pérez-Espejo Murcia which closed the cycle of the Symphony Orchestra Friday May 13 . The
for tickets and the Cycle of Symphonic Orchestra can be removed today from the theater box office and www.ticktackticket.com , at a price of 30 euros compost, 12 s euro single entries in the stalls and 8 euros amphitheater.
Humor, intrigue and lots of quality are the keynotes of the theater season. On Wednesday, January 19 opens the curtain with Lunch at House of Wittgenstein , family tragicomedy starring Carmen Machi , actress reference in the mood of our country in both the small screen (in the Aida series) and film ( That is the ugly die ).
Wednesday January 26 theater is a good representation of the work The Mousetrap, by Agatha Christie. Maria Castro ( Sin Tetas no paradise ) and Manuel Baquero ( Amar in troubled times) are the actors responsible for bringing to Spain this international hit show is more than 60 years represented in theaters London.
The theater is the February 4 with All My Sons , the work of Arthur Miller, a story set in the 40's and starring popular young faces such as Fran Perea or Manuela Velasco . For the pleasure of seeing her again , is represented in Cartagena February 9, a labor of love and emotions adapted by Manuel Gonzalez Gil, Blanca Oteyza and Miguel Angel Solá. On February 25 reaches Cartagena The brave black Flanders, conducted by Novo Nancho and Enrique Escudero, a comedy which deals with the contentious issues of ethnic differences through story of a black who wants to join the English army during the war in Flanders.
LARGE DOSE OF HUMOR FROM MARCH TO JUNE month of March arrives with more comedy: The Thursday 17 comes Host of Alquibla company, is a modern version of the play's comic poet Plautus. The Friday 25 comes the day that Isaac was born , starring famous actors Félix Gómez (Heirs ) and Diana Palazón ( Central Hospital), a story about love, friendship and humorous infidelity.
The law of the jungle premieres April 29, starring popular actress Angeles Martín ( Yo soy Bea) on a dreamy woman who sees her dull life martial removed when entering attractive neighbor scenes.
The magnificent closing Cartagena theater season will arrive on Thursday, 5 May with Dinner idiots, one of the great attractions of the season. Starring three English mood, OSEM J Yuste, Agustín Jiménez and Felix Alvarez (Felisuco ). It is a work with large doses of humor that is sure crowd cheers start to put the finishing touch. will also 2011 with festival Moving of 1 to 9 April, which celebrates its tenth edition.
The programming of the first quarter of 2011 will end on v riday June 3 with The Song of the Horseman, played by Lyric Cultural Association Amigos de la Zarzuela de Cartagena. The
entries for these shows (which costs between 22 and 10 euros depending on the representation) can be removed from today in person at the desk of the Nuevo Teatro Circo, by telephone on 902 15 00 25 and through the Internet at the web www.ticktackticket.com This
past few days our blog Teatro Cartagena listing appears in the posts of City Hall, also known as CTBlogs . For that reason we want to thank you from here, as part of our city.
Municipal Theatre School will represent the Saturday February 19, 2011, at the Teatro Circo , his iconic work "Jesus Christ Superstar 2010" to benefit children's education projects and work with women Guatemala, organized by the NGO Committee Oscar Romero of our city.
numbered invitations can be picked in their own lockers, in two sessions, at 18.00 hours and 21.30 hours at a symbolic price of 6 euros.
remember that this musical work for the end of last year the youth group and that the main actors, Alejandro Rodriguez as Jesus and Judas Dany Moreno, Sandra Egea as Maria Magdalena, and Pedro Antonio Liarte, Sergio Colmeiro as Caiaphas and Alvaro Perez-wheels as Ananias sing live.
They have the special collaboration , also with live voice , Joseph Albes Pedrero and José Salguero as Herod and Pilate.
Oscar Romero Organization wants to make public his gratitude to the great support he has always been at the Escuela Municipal de Teatro de la Universidad Popular, when asked their collaboration in these acts of solidarity and expect a massive response from Cartagena, to the success of this risky artistic proposal first Municipal School, in this landmark theater in our city.
Actor and theater director. Graduated from National School of Drama. Student of Social Communication, Journalism mention Autonomous University of Santo Domingo (UASD). Assistant professor in the field of Performance Training Corps and National School of Drama. Founder of Foot Bridge Theatre and Theatre actor officiating trades. He has participated in workshops "Love and War" presented by the teacher and English director Guillermo Heras, "Action Integral" by the master Romulus Rivas, "Dance Theater" with actor and dancer Vicente Santos. Has guest starred in the works: "Lost," "The Little Prince," The Hawk "," Tales of the Biosphere. " He has worked with directors such as Victor Czech, Vicente Santos, Miguel Ramirez, Raul Martin among others. With Foot Bridge Theater has directed the works: "The Prince", "Escape" and "Symbols" among others. His excellent work as an actor and talent for leadership show us a thorough artist, creative, high sensitivity and intelligence, a sure bet to recruitment.
Iván Mejía
Actor graduated from the National School of Drama. Mention Student Social Communication Journalism at the Universidad Autonoma de Santo Domingo (UASD). He has conducted workshops for dance theater, puppetry and drama. Founder of Foot Bridge Theatre and Actor's Theatre officiating trades. Assistant professor in the field of Performance and Body Training at the National School of Drama, at the first level. Talent for commercials and TV shows, music videos and short films. He has participated in the works: "Scheherazade", "Pastors of the City", "The Mother of All Mothers," The Life is nothing, "is the most beautiful land eyes have ever seen," "suffer", "Room 77", Light Masks "," KD4 or Hilo to Follow, "" The Ticket "," The Prince " "Federico and boredom," "The Tunnel" and "Escape." He has worked hand in hand with important directors such as Luis de Los Santos, Hamlet Bodden, Carlota Carretero, Enrique Chao, Vicente Santos and Miguel Ramirez. Actor Ivan is a rigorous, disciplined and committed, with a promising future in the Dominican scene.
Pedro Sierra
Actor graduated from the National School of Drama (2008). Medical student at the Autonomous University of Santo Domingo (UASD). Founder and member of the Foot Bridge Theatre and Theatre actor officiating trades. Assistant professor in the field of Speech in the National School of Drama. He has worked with directors such as: Juan Maria Almonte, Luis Amauris de Los Santos, Miguel Ramirez and others. Requested talent for commercials and film productions. Starred in the film "Tell-Tale Heart" directed by Ivan Aybal, which received special mention at the International Festival Funglode Film. He directed the play "The Big Carnival" Haffe Serulle Dominican playwright, assembly representing the culmination of academic promotion. Peter is an actor capable of delving into the depths of the inner universe of the character, is passionate about the profession that is emerging as a prominent Dominican theater promise.
"The Night Just Before the Forests: A FANTASTIC start
14, 15 and 16 January, Room Maximum Avilés Blonda
The Theatre Los Trades scene again, this time taking his poetic and experimental challenge: "The Night Just Before the Forests," the playwright Bernard-Marie Koltes, to stand on 14, 15 and January 16 at 8:30 pm in Conference Room Maximum Blonde Avilés Palacio de Bellas Artes.
"The Night Just Before the Forests" is a stunning proposal contemporary theater that invites the viewer on a journey through the depths of being in the chaos of an indifferent society, elusive and exclusive delusional metaphor that makes use of the social and political reporting to confess a deep existential truths.
Director Miguel Ramirez, renowned playwright, set designer and visual artist Dominican, made a bold and radical dramatic adaptation of the original Koltes monologue in which Pedro Sierra, Richardson Díaz e Iván Mejía, three great actors of the new generation , interpret the nuances of the same character who is thrown into the adventure of the encounter with otherness, the cry of loneliness known excluded and foreign.
addition to the intense action, spectators will enjoy a unique space fable, also by the director and the amazing soundtrack that has created Vadir Gonzalez for the piece and lighting designed by Ernesto López.
L @ s @ s interested can purchase tickets at the Palace of Fine Arts from 4th January or writing e-teatrodelosoficios@gmail.com. For more information please see also the Blog www.teatrodelosoficios.blogspot.com or call 809-789-7153.
Theatre The Uffizi is a multidisciplinary group of professional artists committed to the vision-mission of creating, launching and promoting the art of proposal, based on a rigorous training laboratory, study and experimentation of creative skills and aesthetic skills , articulating the legacy of popular theater tradition with trends in language and discourse of contemporary art.
Complutense Diploma in consulting, technical and social analysis of political change processes
On Monday January 10 deadline will be opened for registration at the Complutense Diploma in consulting, technical and social analysis processes of political change.
The award, sponsored by the Foundation Center for Political and Social Studies (CEPS) and Promotora critical thinking will have a classroom teaching 220 hours, the afternoon (2 sessions of 2 hours each) from March to May, Monday Thurs. Management has applied for recognition of 20 ECTS.
The faculty is composed of political scientists, sociologists, lawyers and economists, among whom are also directors, Xabier Arrizabalo, Heriberto Cairo, Inigo Errejón, Worship Guaman, Ariel Jerez, Secundino Gonzalez Bibiana Medialdea, Juan Carlos Monedero, Manuel Monereo, Alberto Montero Soler, and Roberto Serrano Araceli Viciano, among others.
ORIENTATION COURSE, Capacity, REGISTRATION FEES, AWARDS NUMBER OF HOURS / CREDITS AND PROCEDURES FOR REGISTRATION AND REGISTRATION
INFORMATION GENERAL
If you would like any additional information you provide in this document may write an email to the following address: procesosdecambiopolitico@cps.ucm.es
ORIENTATION COURSE The course is aimed at graduates, professionals and students from last year career in the field of social sciences (political scientists, sociologists, economists, journalists, lawyers, anthropologists, historians, etc.).. PLACES
Sleeps: 35
REGISTRATION FEES Registration total price: 1,400 €. SCHOLARSHIPS
two scholarships will be offered for 80% of the amount of tuition and two scholarships for 50% of the amount of tuition.
NUMBER OF HOURS / CREDITS
The total duration of the course is 221 hours.
The course directors has applied for recognition of 22 ECTS credits are still pending. REGISTRATION DEADLINES
opening date of pre-registration deadline: Monday, January 10, 2011. closing date of the pre-registration deadline: Monday, February 14, 2011.
PUBLICATION OF LIST OF ACCEPTED / AS and Fellows
On Friday, February 18, 2011 will publish the list of admitted and excluded as well and the allocation of scholarships.
The Course Coordinator will communicate by e-mail to everyone concerned the outcome of their application.
MORE INFROMACIÓ N: procesosdecambiopolitico@cps.ucm.es
Program
Consulting, Technical Support and
Analysis Social Process of Political Change
Block I: Approaches and Methodological Models Social Analysis
39 sessions
I.1. Constituent levels and processes of the social and epistemological theoretical models of reference for the construction and analysis of social reality: causal explanation of the facts, significant comprehension of discourse, the hermeneutic interpretation of motivations. (4 sessions I.1 / 1, I.1 / 2, I.1 / 3 and I.1 / 4)
I.2. Behaviorist and functionalist theories . Levels of observation and analysis, behavior and deeds. Behavioral theories. Structural-functionalist theories: Durkheimian paradigm. Of behaviors and events to the DTOs, the production of data on the socio-political research. (2 sessions. I.2 / 1 and I.2 / 2)
I.3. Theories of interpretation: psychoanalytic models. The first Freudian. The contradictions of consciousness as baseline data, symptoms, dreams and slips. The concept of investiture: representations and affects. Approaching drive concept: the psychic representative of instinct. The mechanism of repression: repression primary and secondary repression. The structure of the psyche: the unconscious, preconscious and consciousness. The unconscious formations. Psychoanalytic interpretation: the words, language and speech. The unconscious and the imaginary. (3 sessions: I.3 / 1, I.3 / 2 and I. 3 / 3)
I.4. Theories of meaning: linguistic and semiotic models models . The problem of the Saussurean sign. Conception the sign, signifier / signified. Opposition language / speech: language as a system of values. The foundation of semiotics: speeches, texts and contexts . Texts and contexts: for a pragmatic language. Pragmatics of semiotic analysis. (3 sessions: I.4 / 1, I.4 / 2 and I.4 / 3)
I.5. Theories of ideology. Genesis of the concept of ideology of the Enlightenment Marx. The reformulation of ideology in context of historical materialism, the critique of ideology in Marx. Contemporary theoretical perspectives on the ideology of functionalism to cultural anthropology. Marxist perspectives. Pragmatic ideological analysis: levels of observation and analysis: collective identities, interests and conflicts, ideological interpretation levels: level conscious, preconscious and unconscious. Pragmatic ideological analysis: a case. (3 sessions: I.5 / 1, I.5 / 2 and I.5 / 3)
II. Analysis social reality: methodological approaches and research strategies.
II.1. The false problem of objectivity: strategic horizon of research and methodological perspectives choice. The researcher as a social subject in process. Subjectivity and reflexivity. Reference methodological perspectives. Positions and attitudes basic methodological research process partner Jan: etic perspective and emic perspective. These analytical and dialectical perspective. Synchronic and diachronic perspective. A quantitative and qualitative perspective. (2 sessions: II.1 / 1 and II.1 / 2)
II.2. The process of social research as a process of production of information material. The issue of representation in the research design. The previous hypotheses. The statistical representation and structural models. The measure in the social sciences. (1 session: II.2 / 1)
II.3. Techniques and empirical practices and particular contexts of information production: the qualitative perspective.
symbolic universe and qualitative designs. Previous assumptions: social structure and discourse models. The primary research design: structural criteria and choice of relevant techniques. Texts and speeches side: the selection of the corpus.
Techniques and practices of reference: discussion group, life history, the open interview.
Preparation and processing of information: analysis of texts and speeches. Levels of analysis: word, text, speech. Global perspective and articulation plurality of pragmatic dimensions of meaning. Traditions of analysis, categories and analytical tools. The analysis work.
(10 meetings: II.3 / 1, II.3 / 2, II.3 / 3, II.3 / 4, II.3 / 5, II.3 / 6, II. 3 / 7, II.3 / 8 and II.3 / 9 + 1 session for the celebration of a group)
II.4. Techniques and empirical practices and particular contexts of information production: The quantitative perspective.
The statistical model: epistemological value. The basic concepts of statistical model. General theory of sampling: simple random model. Estimated error margins. Confidence levels. Sample types and sample design criteria. The statistical survey sampling. Planning and construction of the questionnaire: formation of research hypotheses from the perspective of the statistical models provided. Research development. Statement to investigators. Planning and organization of field work. Information processing: pre-coding and tabulation. Preparation and processing of information: How formal statistical analysis of results. Criteria for analysis: from the frequency table to the relationships between variables. Analysis of data from the coded logic: analysis of contingency tables, regression, factor and cluster. Analysis of data from the relational logic: correspondence analysis and nonmetric analysis. (9 sessions: II.4 / 1, II.4 / 2, II.4 / 3, II.4 / 4, II.4 / 5, II.4 / 6, II.4 / 7, II.4 / 8 and II. 4 / 9)
II.5. A test of integration of quantitative and qualitative perspectives. respective specificity of quantitative and qualitative. Unarticulated complementarity of both perspectives. Joint trial. final global perspective: the research report as an attempt at dialectical synthesis.
(2 sessions: II.5 / 1 and II.5 / 2)
Block III: Geopolitics and International Relations
20 sessions
III.1. world system. Development and underdevelopment. The dependency theory and world-systems analysis. Tripartite geographical structures -World Economy: The Center, the periphery and the semi . Policies scales: global, state and local levels.
III.2. The operation of the interstate system . Hegemonic powers in world political history and cyclical dynamics. The World Order, Imperialism and the U.S. role. The crisis of American hegemony.
III.3. World Wars as structuring devices geopolitics. British geopolitics (Mackinder and the theory of "continental heart.") German geopolitics of living space and the policies of the Third Reich. Colonialism.
III.4. Globalization and uneven development . Neoliberal globalization and reconfiguration of the powers of the state. Imperial or post-imperialist sovereignty. Sovereign supranational organizations. Financialization of the economy and flexible production. Knowledge economies.
III.5. global political struggles. Anti-systemic movements in the history of world politics: the state as the key to political action. Labor unrest from a world-historical perspective. National liberation struggles.
III.6. Postmodernism and Identity political and territorial . The debate on the construction of political identities in postmodernity. The "new" nationalisms, ethnic identities and processes of globalization. Place and politics.
Block IV: Political Economy
20 sessions
IV.1. capitalist economic dynamics: accumulation, profitability and crisis. Fundamentals of capitalist accumulation. Contradictions of the accumulation process: the crisis. Historical development of the capitalist economy. Today's global economy: crisis and adjustment.
IV.2. macroeconomic analysis. Analysis of supply. Demand analysis. Distribution income. The external sector. Financial Macroeconomics. Indicators and data sources, analysis techniques
IV.3. Economic policy. The state's role in the economy. Fiscal policy. Monetary policy. Exchange rate policy. Other areas of economic policy (incomes policy, industrial policy ...)
IV.4. Economic growth , development and underdevelopment. Theories of development. Historical formation of underdevelopment. The center-periphery divide in the global economy.
IV. 5. Structure and dynamics of underdevelopment: the structural constraints to economic development. The accumulation process in developing economies: a multidimensional process. Low productivity and poor storage capacity. Structural problems demand: investment and consumption. Extreme polarization in the distribution of wealth and income. Insufficient domestic savings and external dependence.
IV.6. development strategies and policies I. historical Strategies of Development: Import Substitution Industrialization, Industrialization Export Oriented , Neoliberalism, Endogenous Development. Dimensions development policies: land reform, industrial policy, trade and finance, health and education. The economic policies of the leftist governments in Latin America.
IV.7. Strategies and policies II: economic integration. economic integration processes, procedures and historical references. Areas of integration: production, trade, financial and monetary system. Latin American experiences of economic integration (NAFTA, MERCOSUR, ALBA, SUCRE ...)
Block V. political transformations
(9 sessions)
V.1. The confusion of the era and the dissolution of 'markers certainty ". Crisis of capitalism, the nation-state and modernity. The staff of the political positions: the overflowing of the boundaries of the neoliberal policy paradigm.
V.2. Towards a theory of political behavior: neurobiology, primatology and paleoanthropology in the search for complex human nature .
V.3. The social construction of political reality . Western Colonisation of knowledge.
V.4. Globalization and complexity of the political crisis . Political parties and social movements to understand convicted, sentenced to face.
V.5. Governmentality versus legitimacy: the responsibility of the peoples and government responsibility . The "crisis of democracy " of the Trilateral as the maximum program of neoliberal reconstruction. The reconstruction of politics as conflict.
V.6 . Traps and potentials of governance . The selectivity of power in times of globalization. Quality of political institutions, awareness building, media and quality of democracy.
Block VI. Electoral Studies.
(7 sessions)
V.1. Electoral systems. Main components of electoral systems: frames census districts, formulas, types of lists, chamber size, exclusion thresholds. modalities disproportionation and cross effects arising from the electoral systems. (2 sessions: I.1 / 1 and I.1 / 2)
I.2. Prospects for the analysis of electoral behavior. electoral geography. Diachronic analysis and context analysis. Structural and economic models. Rational voting, economic voting, strategic voting. (1 Session: I.2 / 1)
I.3. Election campaigns. marketing input in the field of electoral competition. Building tools of information used in election campaigns: the rhetoric of persuasion. The results of past elections and polls. The use of quantitative surveys in campaigns election. The organization of the campaign. Types of campaigns and basic tools of the campaigns. (2 sessions: I.3 / 1 and I.3 / 2)
