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Cycle Children's Theater Series

O Cycle Theater and Puppets O S

In Mary Chestnut

Organization Ta. Te. Ti

JULY 2010

EVERY SUNDAY JULY TO 16hs

4 Juli O : "Rainbow Seeker" Gilda Sosa

Just For Space Theatre

Cast: Valeria Micaela Franchino, Beltramo

Address: Eugenia Hadandoniu

"This proposal seeks to ally with the smaller (and bigger ...) This create a poetic space and fantastic characters dynamic and fun are mixed with melodies and contagious rhythms. We are all seekers ... all you ever saw a rainbow and we feel like in a fairy ... so how not to keep looking?

11 Juli O : "There is no good ... that does not come by sea" of Ma Soledad Paredes / Natalia Sara

For group plays the Gate

Cast: Maria Soledad Paredes / Natacha Chauderlot

Address: Natalia Sara

n U travel driven by a dream, an unconditional friendship and surprise of a new member in the crew are gunpowder that trigger this comedy of large tangles. A pirate, an octopus and a Chinese are the ones who invite us to immerse ourselves in a world of fantasy and surprises. Glove and rod puppets.

18 Juli O "Rezetas, a musical in the kitchen "Héctor Presa

Cast: Valentina Calvimonte
Noralí Savio
Guadalupe Zamar

Choreography and Direction: Silvina Juri

A musical that takes place in the kitchen, where Zelmira, Zulema and Zelaida are three cooks who gather at the hearing to prepare a delicious menu. Among the clutter from your kitchen, Zelaida mandates, the distractions of Zulema and Zelmira antics, the task seems almost impossible ... Will they do it?

25 Juli O : "Rainbow Seeker" Gilda Sosa

Just For Space Theatre

Cast: Valeria Micaela Franchino, Beltramo

Address: Eugenia Hadandoniu

"This proposal seeks to ally with the smaller (and bigger ...) To do this we create a poetic space and fantastic, dynamic and fun characters that are mixed with melodies and contagious rhythms. We are all seekers ... all you ever saw a rainbow and we feel like in a fairy ... so how not to keep looking?

Vacation S Juli O

FROM 5 TO 9

12th Puppet Festival F x T

FROM 12 TO 16

16hs

Winter Series Ta. Te. Ti.

12 Juli O "Besitos.Com" Moya Natalia Cecilia Di Marco

For Egos Theatre Group

Cast: Cecilia Di Marco - Nelson Balmaceda

Address: Egos Group

unfinished love story, will take you through the world and discover the importance of fighting for what you feel. A colorful history and musical for the whole family.

13 Juli O : "Little Red Riding Hood and the Wolf fierce red Cecilia Di Marco

For Egos Theatre Group

Cast: Vanessa Toranzo - Cecilia Di Marco, Luciana Conci

Address: Cecilia Di Marco

Feroz Riding Hood and the red wolf is a story told with unexpected changes that rescues the values \u200b\u200bof solidarity and friendship as the only way forward. A story with humor and colorful for the entire family.

14 Juli O "Amorcitos" Mecha Rony Fernandez and Keselman

For Egos Theatre Group

Cast: Noralí Savio - Alejandro De La O

"Amorcitos" invites us to share a journey through time and get into different ages, races, customs and places to discover, imagine and fantasize about love.

15 Juli O : "Rainbow Seeker" Gilda Sosa

Just For Space Theatre

Cast: Valeria Micaela Franchino, Beltramo

Address: Eugenia Hadandoniu

"This proposal seeks to ally with the smaller (and bigger ...) To do this we create a poetic space and fantastic, dynamic and fun characters that are mixed with melodies and contagious rhythms. We are all seekers ... all ever saw a rainbow and we feel like in a fairy ... so how not to keep looking?

16 Juli O "Kamishibai, paper theater" Kika and Ivan Productions Lomsacov

For Kika Productions

Cast: Gabriel Conti, Mayra de Paco-María Gatica

Consulting: Mónica Nazar-Fernando Airaldo

Kamishibai, this word that means "paper theater" identifies a form of oral narration of stories originating in Japan that is based on colorful pictorial. For its peculiarity, this way of counting that allows us to combine the literary, drawing and acting constitutes a valuable tool to educate through art work various topics.

Circles On Inner Thigh

DANCE THEATRE AT THE NATIONAL THEATRE FESTIVAL

BY GILDA MATOS

In the last two decades the theater scene has tended to nurture the field of dance, dancers and choreographers have entered the theater, and in turn , actors and actresses have danced the main events organized dance companies in the country.

Today as ever, performing arts entrench its interdisciplinary nature. It is now unified, as happened some time ago with the "dithyramb" manifestation of the Greek theater where music, dance and drama served the same purpose ritual. In our time, from the 20's of last century came a new genre that unites these two art forms into a single concept: dance theater.
In this new way to dance, the artists are trying to find the particular identity and express their emotions in movements grounded in dramatic motivations.
Many dance artists in Europe and the U.S. have created this tenedencia styles of contemporary dance. One of the most recent figures is Pina Bausch, choreographer who has ventured into issues of irony, in addition to experiencing a variety of forms of expression of human conflict.
Many of our artists are trained in liberal-oriented workshops and international festivals by these masters of contemporary dance or his disciples, and today is a remarkable influence of these great figures in world dance in the Dominican proposals. Professor Edmund
Poy, Tatiana Mejia, Daymeé del Toro and Hamlet Bodden part of that generation.

"CREATION BY SANTO DOMINGO"

This assembly is part of the history of contemporary dance, and who for over ten years is included in the repertoire of most events dance held in the country.
Part of the creative idea Edmundo Poy, one of the most prominent choreographers, contemporary dancer and teacher who inspired the myth of Creation as Santo Domingo performs a show that has become representative of modern dance. This piece has evolved over the elapse of time until reaching the category of work complete, coherent, creative and cultural identity with our signs in the National Theatre Festival.
To express your aesthetic proposition, choose the technique Poy Butoh, practiced in Japan as a reflection of a cosmic vision of spiritual energy, relationship between man and the universe that emerges against human atrocities, expressed in the destruction caused by atomic bomb, it was built with the aesthetics of pain and here in this assembly of Santo Domingo, style makes the pain of identity in the genesis of the Dominican.
The work is a recreation of the biblical book "Genesis", delves into our cultural past, landscape, geography, ethnicity and in the process of discovery and rediscovery of the conquering side.
The image portrayed in Genesis is the scenery which becomes a sign of the ethereal and the principle of chaos.

interpretations by the Daymer Toro, Islandy Alonso, Javier and Evelyn Tejada Ana were characterized by synchronous and opposing movements, fast-paced in a heavenly atmosphere provided by the music of Arvo Part.

This version had the new interpretation of the Tree of Life by Tatiana Mejia, who stands in majestic scene and mother at a time, his figure acquires magic on stage! Suffers transfigured body-tree-branches, becomes a vibrant and seductive nymph of Mother Nature.

Apparently this young dancer has discovered the secret of the dance, find meaning, emotion, mastery of sign making movement able to communicate and inspire. Edmundo

Poy has given the portfolio of the national dance of a work that combines quality aesthetics and culture in the course of the genesis of the Dominican. This piece is a Dominican pride in the trend of contemporary dance

"Chimera REMIX"

action drama is created and performed by Hamlet Bodden, is a symbolic play of dreams and utopias, performativity actions marked by a slow pace, and the high significance of the elements used in the scene: time machine, dreams and memories that are significant elements of the show.

Hamlet manages to catch the audience in a live action while waiting for the next dance in the middle.

"WHO? "WHO?"

Mejía Tatiana, she is a young choreographer who has been distinguished by his great inventiveness in creating new proposals highly original contemporary dance, she brings to the national scene new themes marked by the interest of young people who have a whole world ahead.

In this piece, takes a toy comic dance full of color, intrigue and movement. The characters in the play are species doll Automata, happy, outgoing, cute and nice. Highlight the grace and the gestural d Dayman del Toro, Emely Ruiz, Islandy Alonso, Evelyn Tejada, and choreographer itself.

The ingenuity of the choreography is the ability to dance harmoniously or by contrast, not a conventional music, but sounds and effects strange, and yet manages to please and entertain the public. Lever

Dayman del Toro, Cuban choreographer has been characterized by using a strong symbolic in their carriages and energy choreography, with great strength and cleaning stage.

choreographer black and white dresses for dancers Yinabeth Tallaj, Evelyn Tejada , Yojaneiru Colon and Erick Guzman, who with dynamism and strength tell the story of a box, a symbol of human greed and meanness.

" Edanco Dance Theater" was a spiritual night, dynamic, fun and memorable for the performing arts in the National Theatre Festival

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Arar Los Crafts
Back to Utopia

considerable

For a handful of people, the theater has been, is and will remain a secret kind of town, a hopeless case, often forgotten, but still latent and sensible, evidence of everything that happens in reality. The theater is alchemical allegory whatever shape and mobilize the human, is the family tree which reveals the timeless mysteries vigil, which aroused fierce ancient legends, which manifests the celebration of the eternal myths.

Theatre as agricultural land of imagination and shared community of playful triggers us, redeems us, protects us, engages us, makes us transcend the here now, we hand back to utopia.

Arar in offices is a secret heritage that shaped many present, the thirst of others returning in the footsteps of the last lit, the resounding voice of silence given birth in the distance, the arcuate sign of the times cry The first vibration of the living, the tragic blow and wonder of the spirit.

Theater The Trades would like to acknowledge your search on these lands and promising secret after the cloudscape fertile hybrid of many voices, practices, corporeality and aesthetic principles theater. Back to Utopia invites us and causes us to be creative in their own officiants plowing, in an integrated practice, rigorous, committed, passion of faith, heirs of Sisyphus happy.

Theater The Trades intended as an Imagined Island on moving waters, a waterwheel in rebellion, a raft pendulum, a pebble thrown into the stars, the myopic eye of the Cyclops which vanishes for horrific birth possible worlds, the hand playing instinct burning transparencies in thought, speech and displaced oblique storytelling only dissenters, and whether any of these virtues we cherish is deserved, then, just plowing in the trades is entrusted, seeking irretrievable Back to utopia.

Miguel Ramirez
Theatre Director
The Trades

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Ooniia or path of the sun
Synopsis

legend Magic could well be an authentic narration, oral memory strength of slavery passed from generation to generation until today. The same is the story of a woman slave, queen, witch and wise that a people lost in the uncertainty of a long dark night, looking for the longed-for return to earth, the home sweet milk, honey and freedom.

Ooniia La Ruta del Sol is a tribute to the roots and freedom, life and beauty shows, even in the most dire of human circumstances: the uprooting and enslavement. Ooniia narrates the most beautiful passages and abominable of women of African descent energy and its importance, traveling hand in hand with their ancestors for dream stages, the mysteries of knowledge and the secret forces of nature.

terrible fit and sexy in Ooniia describes the random misfortunes of her life with other slaves, evoking secrets, uncovering ancient mysteries and knowledge sharing, burning delight with their lovers, misfortune of an inhuman and endless journey through the sea, the longing to reunite with their families, their land, their roots and the supreme desire for freedom.

Ooniia Route happens on an amazing journey through parallel stages, which transmigrate in a time-memory space transhumance dream which the senses. Miguel Ramirez

Director

Theatre Crafts

The

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Ooniia or Ruta del Sol

25, 26 and 27 June * * Sala Ravelo Teatro Nacional Eduardo Brito

Theatre Crafts PRESENTS The

Ooniia or the Ruta del Sol Sole
played by Clara Morel
dramatic adaptation and direction: Miguel Ramírez
Manuscript: Amilcar Cintron Aguilú

Ravelo Board, National Theatre
Friday 25 and Saturday June 26 8:30 pm
Sunday June 27 6:00 pm General admission 50 pesos


National Theatre Festival 2010

SECRETARIAT STATUS OF CULTURE


More Www.teatrodelosoficios.blogspot.com

809-789-7153 / 829-890-1360
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Blog Welcome everybody to Theatre Crafts The

a corner of the Web universe open to creative approaches to diverse ideas, to touch and hug, especially when you have the art as a destination and route. In this space we will share processes, proposals, ideas, invitations, faith and love for the theater, the plow in the office that makes the search for steady growth. The doors of our house are open, thanks for being here.

Flat Feet, Pain, Ice Skating

In Mary Chestnut Children's Theater Series

or Cycle Theatre and Puppet or and s par to or s Niñ

in

Mary Chestnut

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Sunday, June 20

16 hours.

General admission $ 12

Tucumán 260 Centre. Ciudad de Córdoba / Argentina

tel. 0351-4235529

organized Ta.Te.Ti

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the work will be scheduled:

Frogs the abrojal "

Author: María Inés Prosdocimo

Group: Fresh Chip

Cast: María Inés Prosdocimo

Technique: glove puppets and rod

Duration: 50 minutes

Public: for all age groups

plot summary:

escape from the daily sheet, dreams of going fishing; wind and make paper boat and sailing launch. By the waters of Canada, on a paper boat, a sailor goes green, bottle green is your back, wart green skin, green horizon, Green Toad, I want to see.

The unique story of a quartet of singers toads show of his traveled through the Gorge from end to end singing happy tunes of popular song. Composed their verses inspired by the murmur of the brook, the silhouette of the mountains, the brick towers with wind vanes and elevators, the aroma of praline, mate with peppermint, always gathered in a corner, above the bridge, under a lantern and were given a feast of beetles and mosquitoes.

From June to late September, every Sunday at 16hs

Podes find and Puppet Theater for the Whole Family

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LA POD, NEW GENERATION IN THE NATIONAL

BY GILDA MATOS

Vicente

Santos penetrates the world of theater director with a fantastic scene characterized by plasticity, cleaning and drama of the characters.

Youth gives it new impetus to the Dominican scene, not everyday issues in the national drama are brought on stage with freedom and boldness.

The work addresses the issue of abortion is seen from the female perspective, the characters are portrayed the common people and their lives in the contingency of love everyday.

The idea behind the piece of POD polisignificados a word, colloquial expression that expresses an idea of \u200b\u200bpopular wisdom, an idea which combines three stories linked by the ability to stop abruptly pregnancies.
mounting
The approach focuses on several aspects, one of the most interesting are the performances, with the participation of Leidy Abreu, Odeisy Delgado, Katherine Caraballo, Samuel Peña, include characterizations of Alfredo Caraballo, who represents characters women with ease and grace, and the overwhelming dramatic power Ruth Emeterio, an actress instead of the common denominator of the actresses have to struggle to control the waste of energy on stage. It is somewhat shocking

variety of theatrical signs (postures, movements, costumes, sets, lights) used in a deceptively simple story that combines realism almost daily, with scenes and rituals and symbolic positions, however, we suspect that these scenes emerged the result of collective improvisation.


risky thing to deal with these themes is the indoctrination or moral censure the conduct of the characters, even though the art during the Middle Ages served as a means to educate the people on the precepts moral and religious at the time, is now a thing of the past, today's art responds, as ever, to respect individuals and their decisions, so theatrical spaces are spaces of freedom, where the essence of human relationships are revealed in its depths, as we have learned, from Sophocles to Brecht in the history of dramatic literature.

While pointing out that the work does not intend to preach to anyone facing a controversial issue, is seen driving a certain teaching of the subject to the value of life over abortion.

with the sheath, the National Theatre Festival opens the scene for new talents.

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Theatre Officiants

Theatre The Uffizi is a multidisciplinary group of professional artists committed to the vision-mission of creating, launching and promoting the art of proposal, based on a rigorous training laboratory, study and experimentation of creative skills and aesthetic skills, articulating the legacy of popular theater tradition with trends in language and discourse of contemporary art. Theatre

trades is a gamble of faith, passion and commitment to the identity of the Group Theatre. A collective of artists who will explore, investigate, conceptualize and develop a proposal scenic beauty and visual hybridization. Loa

officiating artisans are believers of a poetic officiated in the process rigor that identifies us as a theater collective. The

Theatre Crafts was founded in 2006, created and directed by Miguel Ramirez, Dominican playwright, actor, director, designer, professor of theater and visual artist.

Officiant: Days
Richardson, Iván Mejía, Pedro Sierra, Clara Morel, Miguel Ramírez.

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THEATRE FESTIVAL FUN WITH Guloya Pupul

BY GILDA MATOS

What has always been popular in the course of the History of Theatre in the events of mankind . In the Dominican Republic this trend gaining momentum in the decades of 70 and 80, which together with a great cultural movement awake at that time, a youthful effervescence eager to gain social and political demands.

Guloya Theatre The drama group is a stable group of representatives from the most faithful exponents of popular theater in the country, since the beginning of its founders, Claudio González Rivera and Vienna, in the eighties in the INTEC Projections Theatre has been a consistent pattern of his career.

Guloya Theatre in participating in the National Theatre Festival (2010) joins the popular, the circus and the madness in sight, with a strong socio-political intent, to bridge the gap between dementia and reality today.

The piece takes inspiration from the characters and plots of the play "My 500 Locos" the psychiatrist Antonio Zagul, who like Claudio Rivera, uses the theme of madness to launch harsh criticism of the regime turn. The address by Rivera, organizes the allegations scenic characters face moral injustice, economic and policy of our current reality.

The stage is used, unpretentious, rather than mark the place where work is situated, at Kilometer 28 of the Duarte highway, land that for many years housed the center for the mentally ill.
.
The development of dramatic action unfolds in an unconventional, disjointed scenes, almost no dialogue, only the "nurse" gets to drive the assembly into the general screening of the show with their interventions and therapies. However, the work succeeds resoundingly connect with viewers, parliaments and occurrences of the characters manage to take hold in the present: laughter, singing, dancing transform the visit to 28 at a pleasant, thoughtful and chaotic.

The actions are based on the technique CLAW, which states acting rigorous training, which is why the bodies of the performers and the show, take the mask and body positions of the circus tradition itself and "Comedy" ll Art. " Notably, the singular grace and credibility that awakened characters and Cinthia Rivera Claudio Almonte, not to downplay the interpretations of Vienna and José González Ramon Tomas.

The richness of the work is the versatility of the actors, the increasing pace of the scenes, political humor and irony of his soliloquies, and meaningful connections from the popular and urban to reality itself.

Theatre is an inexhaustible source of new perspectives to the world, often extreme our usual way of understanding .... Claudio Rivera, convinces us that the scene of poverty, oppression is a form of madness that has been approved many sane .... Among them, without knowing it:

!


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Sew In With Side Bangs

THE NATIONAL THEATRE FESTIVAL Promiscuous CURTAINS OPEN TO NATIONAL THEATRE FESTIVAL OF THE DOMINICAN REPUBLIC AND Assuming Uninhibited RISK. SANTO DOMINGO

BY GILDA MATOS

Promiscuous Theatre hits the audience with the audacity to stage taboo subjects.

PUBLIC

attendees pre-inaugural presentation of the National Theatre Festival on June 6 in Room Monina Solá Narciso Gonzales Cultural Center, the area of \u200b\u200bVilla Juana Santo Domingo were shocked, speechless, speechless against theatrical discourse of cigarettes and Three Parts last lasagna, and Fernando Bonassi Victor Navas, and Inside, Newton Moreno.
The biggest shock was received in the book entitled "Inside" as this is in fun ways the relationship of a gay couple. During the course of the presentation many of those present warned his homophobia when they felt the need to close their eyes to "sin" with an eye to witness scenes of sex between male couples performing daring and erotic play unconventional the context of the theater scene in the country.

Dominican public's reaction is understandable, since it is not used to this kind of shows that hit directly with traditional patterns and moral prejudices that are preached in our society and which do not escape our live theater.

Only on rare occasions our artists have had the courage to present naked male or female, but almost always tinged with light effects, makeup and atmospheres ethereal scenes involving an idealized plasticity that away from everyday life viewers.

The presence of this group in Brazil, as a guest at the National Theatre Festival, constitutes a good opportunity to connect the public with the themes of the contemporary world where the voices of minorities and the uncovering of issues "prohibited" take center stage in the artistic world scenarios in a global sense, as shown by the coincidence of the lesbian kiss and Johansson Bullock MTV Movie Awards in the United States of America, the same day and same time it appeared the play Brazil in Villa Juana.

Caribbean
From our post-modern mentality we witness the "Open-mind": an open mind able to accept new paradigms social, moral, ethical and political, to unlearn what they learned during the decades of our existence. This interesting show, compels us to abandon the "modesty" as individuals who are part of a group, to enjoy without censorship, prejudice or veto, of artistic creation, from the perspective of an audience attending a ritual where they are poetry and harsh reality.

WORKS

The works represented in the sample born Contemporary Drama in Brazil, the event where winners were " to be a prototype for a deep boldness and innovation in Sao Paulo scene," says Samuel Hernandez, Portal House of the Americas.

The first piece, Three cigarettes and last lasagne Fernando Bonassi Victor Navas and , is a monologue performed with high organicity by Renato Borghi, and characterized by accuracy, fairness and proper use of resources from the scene. The scenery with minimal resources, helps to delineate the symbolic features of the meaning of the scenes.

actor with great domain develops the psychological complexity is going through the character from the mutilation of his right hand and replaced by another transplant. The dramatic conflict presented in the dilemma body-subject, and the relationship with self and others, coming to harm not only their physical but also their own identity.
element narrative becomes interesting, to unify the narrative of character and graphic narration translated into English and at the same time, his creative use theatrical background, the effect of distance, maximizing the use of technological resources.

The second part of the show formed the part Inside Moreno Newton to the direction of Nilton Bicudo, which was preceded by a warning the public about the content of the work, not suitable for children under 18 years, warning that sought to avoid repeating the unfortunate stampede from the public the day before.

With a current theme, focuses on a form in homosexual relationships, the "fitsfucking" with an aesthetic " porn", as stated Renato Borghi, however, many of these, we see no intension exhibition and pornography, rather, we were witnessing, snooping on the other side of the fourth wall, a scene of utter intimacy between two people in a cold relationship, prostituted and dehumanizing.

Although homosexual themes might seem a bit snobbish in the contemporary world, art is not just a fashion, is an appropriate means to reveal the " essences " of the problems of human nature, including sexuality as a means of alleviating loneliness in search of love.

's performances Nogueira Renato Borghi and Elcio Seixas reveal great professionalism in their careers, total commitment to the scene, out of prejudice, moral dilemmas and confusion between the person, the actor and the character.

is because as the great master J. Grotowski: "... The actor in the play, the show will offer his confession, his naked body and soul, his intellectual self and biological. Show all that culture and you from everyday life show. " In this sense, transforms the theater promiscuous!

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The political theater group the faculty invites you to

"And the fish came to fight against men"
Angélica Liddell

Tuesday June 1
Two passes: at 13:00 and at 17:00

In hall of right in front of the classroom B04 and B05

The assembly of the piece "And the fish came to fight the man" is a punch in the stomach that describes the most frightening face of the African migration to Europe in the framework of center-periphery relations. This is above all, a fierce and uncompromising reflection that points on the causes of poverty, the subordinate status of migrants and the coloniality of power.

About the author: http://es.wikipedia.org/wiki/Ang % C3% A9lica_Liddell

Support: AU counter and Promotora Network (teachers)

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SAMPLE IS RECYCLED ART AND CREATIVITY IN THE UASD

By Gilda Matos


TATEHIKO GOTO Santo Domingo brings art education recycling ideas and creativity from materials found in the city. The Japanese artist presents a novel way creative vision of "art object" that intervenes with their hands in order to produce aesthetic works by forking paths of the imagination in the realization of two-and three-dimensional objects, in spite of the apparent naivety of everyday images presented, awakens the senses, surprise and delight.

all started one day in Japan 30 years ago, by chance, observing the clothes pegs on the table in the house. The artist says: "I felt a strange feeling" ... That simple act was a great encouragement to his creative imagination. Thereafter, he began a long career that led him to exhibit their work inside and outside the country, with important exhibitions in New Delhi and the Yokohama Museum of Art, being recognized seventeen times, for the Grand Prize Exhibition .

Today, Santo Domingo is the theme and setting of his creations with objects found in the streets, buildings and costs of our city. His artistic sensibility takes to collect plastic waste, metal, wood, cardboard, paper, dry leaves, turning them into "art object", it brings into play his artistic imagination to find uses towards more healthy and harmonious with the life of our planet earth.

Goto's foray into the trend of art object is different from the inventor of Dada art, Marcel Duchamp with "already done" or "found object" expressed as conceptual art, as aesthetic meanings attributed to the author of ready-made, as the Japanese artist seeks to transform the creative talent through the material object in another figurative element of the intervention emerged from his hands to develop its own distinctive artistic world. However, both are part of the cultivators of the art-object as defined Galindo as the art object is "any work utility or at least potentially functional whose original idea was involved visual artist "

GAME AND TONE

Goto, works the concept of the object from the value of the toy, look at them the playful aspect of handling, and loudness.

This exhibition allows a novel sensory experience, the works not only see but also touch and hear, and at some point in the history of art the man experimented with materials.

The exposure reading is made in two areas: the tendency of visual expression, works and figurative drawings, and the fact of his creations, under the action of wit and industry which involves the recycling of waste contaminants to a more happy on the planet. CARTOONS



His contact with Dominican cultural and ethnic diversity, is reflected in the caricatures of the faces of children, women, men, old men and women who are drawn with grace and tenderness, expressed as a photo-document, where appreciate the similarity of their faces with the cartoons made by the experienced artist.

Aesthetic experience raised by this exhibition becomes a pedagogic experience, it shows us a lesson in the usefulness of art in the adaptation, adaptation and recycling of our waste for a better life.

certainly Goto exposure brings a new vision of urban visual creativity, pedagogy and playful art-object.