BY GILDA MATOS
What has always been popular in the course of the History of Theatre in the events of mankind . In the Dominican Republic this trend gaining momentum in the decades of 70 and 80, which together with a great cultural movement awake at that time, a youthful effervescence eager to gain social and political demands.
Guloya Theatre The drama group is a stable group of representatives from the most faithful exponents of popular theater in the country, since the beginning of its founders, Claudio González Rivera and Vienna, in the eighties in the INTEC Projections Theatre has been a consistent pattern of his career.
Guloya Theatre in participating in the National Theatre Festival (2010) joins the popular, the circus and the madness in sight, with a strong socio-political intent, to bridge the gap between dementia and reality today.
The piece takes inspiration from the characters and plots of the play "My 500 Locos" the psychiatrist Antonio Zagul, who like Claudio Rivera, uses the theme of madness to launch harsh criticism of the regime turn. The address by Rivera, organizes the allegations scenic characters face moral injustice, economic and policy of our current reality.
The stage is used, unpretentious, rather than mark the place where work is situated, at Kilometer 28 of the Duarte highway, land that for many years housed the center for the mentally ill.
.
The development of dramatic action unfolds in an unconventional, disjointed scenes, almost no dialogue, only the "nurse" gets to drive the assembly into the general screening of the show with their interventions and therapies. However, the work succeeds resoundingly connect with viewers, parliaments and occurrences of the characters manage to take hold in the present: laughter, singing, dancing transform the visit to 28 at a pleasant, thoughtful and chaotic.
The actions are based on the technique CLAW, which states acting rigorous training, which is why the bodies of the performers and the show, take the mask and body positions of the circus tradition itself and "Comedy" ll Art. " Notably, the singular grace and credibility that awakened characters and Cinthia Rivera Claudio Almonte, not to downplay the interpretations of Vienna and José González Ramon Tomas.
The richness of the work is the versatility of the actors, the increasing pace of the scenes, political humor and irony of his soliloquies, and meaningful connections from the popular and urban to reality itself.
Theatre is an inexhaustible source of new perspectives to the world, often extreme our usual way of understanding .... Claudio Rivera, convinces us that the scene of poverty, oppression is a form of madness that has been approved many sane .... Among them, without knowing it:
What has always been popular in the course of the History of Theatre in the events of mankind . In the Dominican Republic this trend gaining momentum in the decades of 70 and 80, which together with a great cultural movement awake at that time, a youthful effervescence eager to gain social and political demands.
Guloya Theatre The drama group is a stable group of representatives from the most faithful exponents of popular theater in the country, since the beginning of its founders, Claudio González Rivera and Vienna, in the eighties in the INTEC Projections Theatre has been a consistent pattern of his career.
Guloya Theatre in participating in the National Theatre Festival (2010) joins the popular, the circus and the madness in sight, with a strong socio-political intent, to bridge the gap between dementia and reality today.
The piece takes inspiration from the characters and plots of the play "My 500 Locos" the psychiatrist Antonio Zagul, who like Claudio Rivera, uses the theme of madness to launch harsh criticism of the regime turn. The address by Rivera, organizes the allegations scenic characters face moral injustice, economic and policy of our current reality.
The stage is used, unpretentious, rather than mark the place where work is situated, at Kilometer 28 of the Duarte highway, land that for many years housed the center for the mentally ill.
.
The development of dramatic action unfolds in an unconventional, disjointed scenes, almost no dialogue, only the "nurse" gets to drive the assembly into the general screening of the show with their interventions and therapies. However, the work succeeds resoundingly connect with viewers, parliaments and occurrences of the characters manage to take hold in the present: laughter, singing, dancing transform the visit to 28 at a pleasant, thoughtful and chaotic.
The actions are based on the technique CLAW, which states acting rigorous training, which is why the bodies of the performers and the show, take the mask and body positions of the circus tradition itself and "Comedy" ll Art. " Notably, the singular grace and credibility that awakened characters and Cinthia Rivera Claudio Almonte, not to downplay the interpretations of Vienna and José González Ramon Tomas.
The richness of the work is the versatility of the actors, the increasing pace of the scenes, political humor and irony of his soliloquies, and meaningful connections from the popular and urban to reality itself.
Theatre is an inexhaustible source of new perspectives to the world, often extreme our usual way of understanding .... Claudio Rivera, convinces us that the scene of poverty, oppression is a form of madness that has been approved many sane .... Among them, without knowing it:
!
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