Monday, June 14, 2010

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LA POD, NEW GENERATION IN THE NATIONAL





BY GILDA MATOS
Vicente

Santos penetrates the world of theater director with a fantastic scene characterized by plasticity, cleaning and drama of the characters.

Youth gives it new impetus to the Dominican scene, not everyday issues in the national drama are brought on stage with freedom and boldness.

The work addresses the issue of abortion is seen from the female perspective, the characters are portrayed the common people and their lives in the contingency of love everyday.

The idea behind the piece of POD polisignificados a word, colloquial expression that expresses an idea of \u200b\u200bpopular wisdom, an idea which combines three stories linked by the ability to stop abruptly pregnancies.
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The approach focuses on several aspects, one of the most interesting are the performances, with the participation of Leidy Abreu, Odeisy Delgado, Katherine Caraballo, Samuel Peña, include characterizations of Alfredo Caraballo, who represents characters women with ease and grace, and the overwhelming dramatic power Ruth Emeterio, an actress instead of the common denominator of the actresses have to struggle to control the waste of energy on stage. It is somewhat shocking

variety of theatrical signs (postures, movements, costumes, sets, lights) used in a deceptively simple story that combines realism almost daily, with scenes and rituals and symbolic positions, however, we suspect that these scenes emerged the result of collective improvisation.


risky thing to deal with these themes is the indoctrination or moral censure the conduct of the characters, even though the art during the Middle Ages served as a means to educate the people on the precepts moral and religious at the time, is now a thing of the past, today's art responds, as ever, to respect individuals and their decisions, so theatrical spaces are spaces of freedom, where the essence of human relationships are revealed in its depths, as we have learned, from Sophocles to Brecht in the history of dramatic literature.

While pointing out that the work does not intend to preach to anyone facing a controversial issue, is seen driving a certain teaching of the subject to the value of life over abortion.

with the sheath, the National Theatre Festival opens the scene for new talents.

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